{"title":"Pre-Orders for Release Date: 10\/09\/2026","description":"\u003cp\u003eNew pre-order vinyl, CDs and tapes are available in store on release day when you choose local pick-up or ship to store at check out.  99% of our pre-orders are fulfilled before or on release day. \u003c\/p\u003e\n\u003cp\u003eA brand new item direct from the supplier, never played, in new condition. Notes: Pre-order items which are not limited editions or exclusive releases you may order as many as you like. Pre-orders will be made available in store on release day for local pick up orders and ship to store. Cancellation or returns of pre-order items will incur a 10% re-stocking fee.  Delays in shipment or supplier stock may result in a pre-order arriving later than expected.  This is not grounds for cancellation or return of an item unless the delay is greater than 10 days.  In the event the delay is from the label or artist (release is pushed back) the new release date will be used.\u003cbr\u003e\u003cbr\u003eLimited edition and exclusive releases: Pre-orders will be fulfilled in the order they were received.  In the event a release is sold out or not able to be fulfilled you will be refunded 100% of your total purchase price including all tax and shipping. \u003cbr\u003eDiscounts: Pre-order items are excluded for any and all discounts.  \u003c\/p\u003e","products":[{"product_id":"pre-order-anders-ericson-solo-pieces-for-lutha-cd","title":"Pre-Order: Anders Ericson - Solo Pieces For Lutha [CD]","description":"\u003cp\u003ePieces for Lutha\" Anders Ericson plays this unique instrument from the Gustavian era, and presents an unknown part of the late 18th century Swedish musical landscape to the modern audience. 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As guitarist, songwriter, producer and engineer - not just for the iconic Stax record label but on a forest of sessions and solo releases - the Tennessee soul man was the DNA that coursed through the post-war era. Little did we know this towering figure had one last ace to play in his lifetime, with Watching The Tide gathering A-list names including Eric Clapton, Brian May, Ronnie Wood and Billy Gibbons for 12 brand-new songs that Cropper ranked amongst the best of his career. \"I know this record provided great joy to Steve in the last year of his life,\" says project leader Jon Tiven. \"And I'm so glad he was able to have one last great creative burst\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTandoori Chicken\u003c\/li\u003e\n\u003cli\u003eTicket First (Feat. Eric Clapton)\u003c\/li\u003e\n\u003cli\u003eMy Angels Are Calling (Feat. 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Twelve brand new tracks of cinematic crime funk, psychedelia, and hypnotic groove that don't accompany Ellroy's world so much as inhabit it.The soundtrack's move through Ellroy's fictional and real-world mythologies with deliberate precision. Stylistically, the album finds Calibro 35 in their most natural yet most cinematic state: crime funk, psychedelia, and hypnotic groove pushed into darker, more narrative-driven territory by the weight of Ellroy's world. From the gloomy, suspense-laden groove of the opener Black Dahlia to the evocative closing piece Moonlight Sonative, the album unfolds as a complete cinematic arc, showcasing Calibro 35 at their very best. L.A. Confidential delivers a super-suspenseful, thrilling tension that feels like a chase through neon-lit streets, while Riots erupts into explosive cinematic funk, capturing chaos and urban unrest in full force. LSD on Sunset Boulevard drifts into a hazy, instrumental soul journey psychedelic, warm, and disorienting, like a late-night hallucination of the city itself. The Big Nowhere (Part I \u0026amp; II) expands the narrative into a slow-burning, atmospheric descent, unfolding like a two-act crime saga. Welcome to the Land of Vacation and Probation hits with kick-ass, uptempo crime-funk madness, urgent and relentless in it's propulsion, while White Jazz is a mood of suspended, noir-infused jazz tension cool, shadowy, and unresolved. Together, the tracks map Los Angeles as a fractured yet hypnotic landscape suspended between glamour and violence, beauty and decay, myth and realityBorn in Milan in 2007 with the mission of excavating the golden age of Italian film music Morricone, Piccioni, Trovajoli, Calibro 35 have spent nearly two decades transforming that initial obsession into a singular artistic language. Their work bridges vintage Italian soundtracks with contemporary jazz and cinematic funk, earning them a global following rare for an Italian instrumental act.Their music has been sampled by Dr. Dre (Compton, \"One Shot One Kill\" feat. Snoop Dogg), Jay-Z (\"Picasso Baby\"), and Damon Albarn's The Child of Lov. Rolling Stone described them as \"the most fascinating, retro-maniac and genuine thing that has happened to Italy in the past few years,\" while Far Out Magazine called them \"one of the most skilful and innovative instrumental outfits on the planet right now.\" The band (Enrico Gabrielli, Massimo Martellotta, Fabio Rondanini, and Tommaso Colliva) continue to evolve without losing their core identity. In 2025 they released the critically acclaimed Exploration, further expanding their sonic universe, and were invited to perform at the closing ceremony of the Winter Olympic Games at the Arena di Verona, confirming their growing international stature.With Ellroy vs L.A., Calibro 35 don't just compose a soundtrack they translate a mythology into rhythm, tension, and groove. Between fiction and reality, they find a city that never truly sleeps, only pulses in darkness. Press play, and Los Angeles begins to unfold in sound.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlack Dahlia\u003c\/li\u003e\n\u003cli\u003eLSD on Sunset Blvd\u003c\/li\u003e\n\u003cli\u003ePacific Safari\u003c\/li\u003e\n\u003cli\u003eThe Big Nowhere part 1\u003c\/li\u003e\n\u003cli\u003eL.A. 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Twelve brand new tracks of cinematic crime funk, psychedelia, and hypnotic groove that don't accompany Ellroy's world so much as inhabit it.The soundtrack's move through Ellroy's fictional and real-world mythologies with deliberate precision. Stylistically, the album finds Calibro 35 in their most natural yet most cinematic state: crime funk, psychedelia, and hypnotic groove pushed into darker, more narrative-driven territory by the weight of Ellroy's world. From the gloomy, suspense-laden groove of the opener Black Dahlia to the evocative closing piece Moonlight Sonative, the album unfolds as a complete cinematic arc, showcasing Calibro 35 at their very best. L.A. Confidential delivers a super-suspenseful, thrilling tension that feels like a chase through neon-lit streets, while Riots erupts into explosive cinematic funk, capturing chaos and urban unrest in full force. LSD on Sunset Boulevard drifts into a hazy, instrumental soul journey psychedelic, warm, and disorienting, like a late-night hallucination of the city itself. The Big Nowhere (Part I \u0026amp; II) expands the narrative into a slow-burning, atmospheric descent, unfolding like a two-act crime saga. Welcome to the Land of Vacation and Probation hits with kick-ass, uptempo crime-funk madness, urgent and relentless in it's propulsion, while White Jazz is a mood of suspended, noir-infused jazz tension cool, shadowy, and unresolved. Together, the tracks map Los Angeles as a fractured yet hypnotic landscape suspended between glamour and violence, beauty and decay, myth and realityBorn in Milan in 2007 with the mission of excavating the golden age of Italian film music Morricone, Piccioni, Trovajoli, Calibro 35 have spent nearly two decades transforming that initial obsession into a singular artistic language. 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Their sophomore album No Chaser lands neat, on the rocks, no apologies: ten tracks of melodic surf-pop-punk hammered out by a band that has clearly spent the last year sharpening every edge. It's a record you can hear the kilometers in. Between The Only Place I Know and now, Andrew Scott, Lachlan Jackson, Patrick Russell and Nick Scott have torn through a sold-out national run, crisscrossed the UK and Europe, and made a habit of leaving rooms louder than they found them. No Chaser carries the dust from all of it - bigger choruses, leaner production, a touch more bruise underneath the gloss. There's still that windows-down, salt-on-the-windscreen feel that made the debut impossible to ignore, but it's wired into songs that swing harder and cut deeper. Less wistful afternoon, more last-light drive home with the volume creeping up. The four-piece make melodic surf-pop-punk that sounds great turned up loud - driving in your mate's car on the way back to the beach. Their debut, The Fire Note wrote, \"delivers a dynamic debut... blending raw energy, introspective depth, and timeless indie rock flair.\" Manchester World called their first show on UK soil \"epic... high energy and great song after great song,\" and the live reputation has only grown since: a band that's earned every inch of the ceiling it now hits. No Chaser is the sound of them no longer waiting for permission. 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