{"title":"Pre-Orders for Release Date: 12\/04\/2026","description":"\u003cp\u003eNew pre-order vinyl, CDs and tapes are available in store on release day when you choose local pick-up or ship to store at check out.  99% of our pre-orders are fulfilled before or on release day. \u003c\/p\u003e\n\u003cp\u003eA brand new item direct from the supplier, never played, in new condition. Notes: Pre-order items which are not limited editions or exclusive releases you may order as many as you like. Pre-orders will be made available in store on release day for local pick up orders and ship to store. Cancellation or returns of pre-order items will incur a 10% re-stocking fee.  Delays in shipment or supplier stock may result in a pre-order arriving later than expected.  This is not grounds for cancellation or return of an item unless the delay is greater than 10 days.  In the event the delay is from the label or artist (release is pushed back) the new release date will be used.\u003cbr\u003e\u003cbr\u003eLimited edition and exclusive releases: Pre-orders will be fulfilled in the order they were received.  In the event a release is sold out or not able to be fulfilled you will be refunded 100% of your total purchase price including all tax and shipping. \u003cbr\u003eDiscounts: Pre-order items are excluded for any and all discounts.  \u003c\/p\u003e","products":[{"product_id":"pre-order-paul-dunlea-mires-trevor-silfra-lp","title":"Pre-Order: Paul Dunlea  \/ Mires,Trevor - Silfra [LP]","description":"\u003cp\u003eThe twin trombone frontline is an esoteric but noble tradition in jazz, harking back to the famed 1950s recordings of Kai Windings and JJ Johnson. While respecting the tradition, the internationally renowned trombonists Paul Dunlea (from Cork) and Trevor Mires (from London) are not traditionalists, and their collaborative project Silfra showcases their thoroughly contemporary skills as composers and arrangers to create a fascinatingly diverse set of trombone led music. Silfra is the name of a place in Iceland where the tectonic plates of Europe and America meet and rub together. \"I scuba-dived between the two plates and touched them both at the same time,\" says Dunlea, and the album presents a true transatlantic meeting of talent. The project was conceived after Paul and Trevor worked together on a project at London's famous Ronnie Scott's Jazz Club, and the music was recorded at the legendary New York studio of Rudy Van Gelder with a specially assembled band of their favorite US musicians. For the drum chair, Trevor chose Billy Kilson, famed for his long association with Dave Holland, while Paul selected bassist Ike Sturm (Donny McCaslin) and pianist Jim Ridl (Kurt Elling, Joe Locke). Ryan Keberle contributes a third trombone to some of the sections to create a full, lush sound. 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It’s a sensorial, immersive record that shimmers, shudders, and grooves with genre-blurring mastery. The 28-track album unfolds like a living body—nonlinear and dynamic, alive with cascading instrumentals, buoyant boogie rhythms, and a sound that is simultaneously groovy and poetic.\u003c\/p\u003e\u003cp\u003eRecorded over just two weeks on a remote island property in Sooke, British Columbia, Physical Dream was born close to the ground. Blasucci slept in a small shack on the land while working closely with engineer and collaborator Jonny Payne. Additional recording took place in studios across Los Angeles and Ojai, California.\u003c\/p\u003e\u003cp\u003eThe album includes contributions from Mia Wilson (vocals), Randal Fisher (horns, flute), Andres Renteria (percussion), Laena Myers (violin, viola, vocals), and Leng Bian (harp).\u003c\/p\u003e\u003cp\u003eAside from traditional instrumentation, the album also gives voice to the environments where the music was made. 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After more than 50 years together, Zebra continues to perform at the top of it's game, bringing it's classic catalog and new music to generations of loyal fans while attracting a new generation along the way.In the 1970s, Zebra built it's reputation as a hard-rocking cover band throughout the New Orleans bar and club scene before taking a chance on the thriving rock circuit of Long Island, New York. The move put the band within reach of the New York City music industry and the record companies that could potentially take Zebra to the next level.For several years, Zebra split it's time between the New York Tri-State area and southern Louisiana, relentlessly building a following and playing as many as 250 shows a year. The band recorded two demo tapes and shopped them to record labels and radio stations. 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