{"title":"Pre-Orders for Release Date: 10\/30\/2026","description":"\u003cp\u003eNew pre-order vinyl, CDs and tapes are available in store on release day when you choose local pick-up or ship to store at check out.  99% of our pre-orders are fulfilled before or on release day. \u003c\/p\u003e\n\u003cp\u003eA brand new item direct from the supplier, never played, in new condition. Notes: Pre-order items which are not limited editions or exclusive releases you may order as many as you like. Pre-orders will be made available in store on release day for local pick up orders and ship to store. Cancellation or returns of pre-order items will incur a 10% re-stocking fee.  Delays in shipment or supplier stock may result in a pre-order arriving later than expected.  This is not grounds for cancellation or return of an item unless the delay is greater than 10 days.  In the event the delay is from the label or artist (release is pushed back) the new release date will be used.\u003cbr\u003e\u003cbr\u003eLimited edition and exclusive releases: Pre-orders will be fulfilled in the order they were received.  In the event a release is sold out or not able to be fulfilled you will be refunded 100% of your total purchase price including all tax and shipping. \u003cbr\u003eDiscounts: Pre-order items are excluded for any and all discounts.  \u003c\/p\u003e","products":[{"product_id":"pre-order-mc-homeless-ice-t-goons-goblins-red-colored-vinyl-limited-edition-red","title":"Pre-Order: Mc Homeless \/ Ice-T - Goons \u0026 Goblins - Red [Colored Vinyl] [Limited Edition] (Red)","description":"\u003cp\u003eHip-hop pioneer Ice-T joins forces with North Carolina underground veteran MC Homeless for an explosive new collaborative EP that bridges coasts and generations. The project showcases one original collaboration alongside two reimagined classics from the vault, all produced by acclaimed beatsmith Marc Live (known for his work with Kool Keith, Raw Breed, and Analog Bros). The centerpiece track \"Goons And Goblins\" finds both MCs in peak form, delivering sharp social commentary wrapped in hard-hitting street narratives. MC Homeless brings his signature electric energy and unconventional wordplay, while Ice-T demonstrates why he remains one of hip-hop's most authentic voices, offering unflinching perspectives on street life and social media culture. The EP also features reworked versions of \"Feds In My Rearview\" and \"Red Or Blue,\" pulling unreleased MC Homeless verses from the Legends Recordings archives. The massive posse cut \"Red Or Blue\" assembles an impressive roster of West Coast talent including Breeze, C.O.C., Freddie Demarco, Glasses Malone, King Tee, M Dot Taylor, and Young Ham. \"This project represents raw, unfiltered hip-hop,\" says a representative from the label. \"Marc Live's production provides the perfect foundation for these artists to showcase their craft.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGoons and Goblins (Marc Live Mix)\u003c\/li\u003e\n\u003cli\u003eFeds in My Rearview (Marc Live Mix)\u003c\/li\u003e\n\u003cli\u003eRed or Blue (Feat. 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The San Antonio, TX hard rock band alchemizes unfathomable tragedy, trauma, and loss into massive and magnetic anthems powered by pummeling instrumentation and arena-size hooks that remind you to never give up.The band originated out of the childhood friendship between vocalist Jonathan Norris and bassist Aaron Smith, who grew up together, found music around the same time, and recognized it's power after Jonathan endured the loss of his father at eight-years-old.In order to cope, he immediately retreated into music and the embrace of a small community - which included Aaron's family. This was the turning point where both boys realized the power of friendship, the power of music, and their potential together.Jonathan and Aaron each made the rounds in local bands and even collaborated a few times on short-lived projects. When they finally joined forces in Kingdom Collapse, it was as if everything they'd gone through as friends prepared them to make a statement together. 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In 2006 the four-piece began writing their first songs in Norwich, UK, releasing \"Whiskey Tango Foxtrot...\" and \"Open Closed Open\" in 2008 on the retroactively titled First CD (aka demo or free cd), the original physical copies of which were homespun and given away gratis at shows. Coming up in the UK mid-late 2000s indie music scene, pennines were lucky enough to share the stage with contemporaries such as Stapleton, Hot Club de Paris, Colour, Dartz!, TTNG and other like minded musical friends. Popularized by genre forebears toe and American Football, pennines favoured arpeggiated guitar, syncopation, staccato call-and-response harmonies, and unexpected rhythm decisions. \"One of the things I loved about pennines was the absolute lack of bullshit,\" recalls singer\/guitarist Henry Tremain, referencing the band's straightforward approach to their sound. Pennines used a clean guitar tone with no distortion or effects pedals and a DIY approach to recording, aiming for a natural representation of the songs. The downtempo, meditative coda of \"Collapsing New Buildings\" exemplifies the pennines signature, as does the entrancing guitar play midway through \"Pilot Holes,\" two songs that also feature upbeat, crashing passages that demonstrate the band's ability to balance energy and subtlety. #recordings 2008-09 concludes in under twenty minutes with the scurried \"Does Not Want,\" whose abrupt ending tricks the listener into expecting more - fitting punctuation for a band whose original run was no more than a few years, and resulted in a discography shorter than most albums.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhiskey Tango Foxtrot? 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Driven by a desire to constantly undermine expectation, the band fuse elastic basslines, jagged guitar motifs and sparse percussion into something both tightly controlled and thrillingly unpredictable. Much like the typo in their name, now worn proudly as a badge of honour, Punch Card thrives on collisions, contrasts and off-kilter charm. Self-produced and mastered by Paul D. Millar, Punch Card moves between improvisation, collage and moments of unexpected poignancy, emerging through collision, constraint and chance. 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Recorded with longtime friend and engineer Jonathan Kirchner and featuring appearances from Jerry Douglas, Lindsay Lou, Trey Hensley, and more, Cover To Cover reinvents tunes by the likes of Sheryl Crow, Bob Dylan, Nitty Gritty Dirt Band, and Emmylou Harris, offering up a fresh perspective on the American roots canon.\u003cbr\u003e\u003cbr\u003eThe songs are delivered with joy and reverence here, several are drawn from the band’s earliest days playing bars and cafes around Santa Cruz. The arrangements are dynamic and spacious, with plenty of room for dazzling solos and lush harmonies. Add it all up and you’ve got a love letter from AJ Lee \u0026amp; Blue Summit to the songs that shaped them, a whirlwind journey through the last century of American roots music delivered by some of the brightest young torchbearers of their generation. 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