{"title":"Pre-Orders for Release Date: 1\/29\/2026","description":"\u003cp\u003eNew pre-order vinyl, CDs and tapes are available in store on release day when you choose local pick-up or ship to store at check out.  99% of our pre-orders are fulfilled before or on release day. \u003c\/p\u003e\n\u003cp\u003eA brand new item direct from the supplier, never played, in new condition. Notes: Pre-order items which are not limited editions or exclusive releases you may order as many as you like. Pre-orders will be made available in store on release day for local pick up orders and ship to store. Cancellation or returns of pre-order items will incur a 10% re-stocking fee.  Delays in shipment or supplier stock may result in a pre-order arriving later than expected.  This is not grounds for cancellation or return of an item unless the delay is greater than 10 days.  In the event the delay is from the label or artist (release is pushed back) the new release date will be used.\u003cbr\u003e\u003cbr\u003eLimited edition and exclusive releases: Pre-orders will be fulfilled in the order they were received.  In the event a release is sold out or not able to be fulfilled you will be refunded 100% of your total purchase price including all tax and shipping. \u003cbr\u003eDiscounts: Pre-order items are excluded for any and all discounts.  \u003c\/p\u003e","products":[{"product_id":"pre-order-amble-love-and-all-its-wares-cd","title":"Pre-Order: Amble - Love And All Its Wares [CD]","description":"\u003cp\u003e‘Love And All Its Wares’ is the second studio album by Irish band Amble. \u003c\/p\u003e\r\n\u003cp\u003eProduced by Philip Weinrobe, the album marks a major sonic evolution - moving from the simpler, dream-like quality of 'Reverie' to a bigger sound exploring a wider spectrum of emotion. 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It ended up on everything he touched, and soon he was, in his words, \"\"the fretless guy\"\" in his new circles. It was the latest chapter in a career built on collaboration: acclaimed duo albums with Dawn Richard, a long-running partnership with Dave Harrington, recent work alongside Joseph Shabason, and years touring with artists like Empress Of, Kimbra, and Twin Shadow. Two more years of restless collaboration followed the move, spanning jazz, pop, folk, and even metal, but none of it cohered into the statement he was searching for. The turning point came when Harrington invited him to open dates on DARKSIDE's US and European tour with one stipulation: it had to be a solo fretless bass set. Thrilled and terrified in equal measure, Zahn built the set, and when the tour wrapped he hid away at home and wrote Please Don't Break Your Own Heart.The result is something quietly radical: an album made almost entirely of fretless electric bass that never once feels austere. It's bursting with melodies that lodge themselves in your head for days, all delivered by Zahn's rubbery, evocative playing. The bass does the singing here, bending and breathing with an almost speech-like expressiveness, carrying pop hooks and jazz phrasing in the same gesture. Opener \"\"Tearless\"\" floats on synth-hued harmonics, \"\"Flowershop\"\" is playful and plaintive at once, and the title track gathers itself into a gently danceable groove. There's an unresolved ache running through these songs, but it never curdles into self-pity. This is soulful music, warm-blooded and at times unapologetically sexy, closer to a slow dance than a meditation. Subtle rhythmic loops and distant swells of distortion lend the record a cinematic quality, emotional rather than academic. Two covers reveal the album's lineage and it's heart. 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It ended up on everything he touched, and soon he was, in his words, \"\"the fretless guy\"\" in his new circles. It was the latest chapter in a career built on collaboration: acclaimed duo albums with Dawn Richard, a long-running partnership with Dave Harrington, recent work alongside Joseph Shabason, and years touring with artists like Empress Of, Kimbra, and Twin Shadow. Two more years of restless collaboration followed the move, spanning jazz, pop, folk, and even metal, but none of it cohered into the statement he was searching for. The turning point came when Harrington invited him to open dates on DARKSIDE's US and European tour with one stipulation: it had to be a solo fretless bass set. Thrilled and terrified in equal measure, Zahn built the set, and when the tour wrapped he hid away at home and wrote Please Don't Break Your Own Heart.The result is something quietly radical: an album made almost entirely of fretless electric bass that never once feels austere. 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