{"title":"Pre-Orders for Release Date: 09\/04\/2026","description":"\u003cp\u003eNew pre-order vinyl, CDs and tapes are available in store on release day when you choose local pick-up or ship to store at check out.  99% of our pre-orders are fulfilled before or on release day. \u003c\/p\u003e\n\u003cp\u003eA brand new item direct from the supplier, never played, in new condition. Notes: Pre-order items which are not limited editions or exclusive releases you may order as many as you like. Pre-orders will be made available in store on release day for local pick up orders and ship to store. Cancellation or returns of pre-order items will incur a 10% re-stocking fee.  Delays in shipment or supplier stock may result in a pre-order arriving later than expected.  This is not grounds for cancellation or return of an item unless the delay is greater than 10 days.  In the event the delay is from the label or artist (release is pushed back) the new release date will be used.\u003cbr\u003e\u003cbr\u003eLimited edition and exclusive releases: Pre-orders will be fulfilled in the order they were received.  In the event a release is sold out or not able to be fulfilled you will be refunded 100% of your total purchase price including all tax and shipping. \u003cbr\u003eDiscounts: Pre-order items are excluded for any and all discounts.  \u003c\/p\u003e","products":[{"product_id":"pre-order-hackney-electronica-synaptic-shadows-12-vinyl","title":"Hackney Electronica - Synaptic Shadows [12\" Vinyl]","description":"\u003cp\u003e*Hackney Electronica come to Dark Entries with the Synaptic Shadows EP, featuring 5 cuts of acidic rave-inflected wave. Quinn Whalley (Paranoid London), Unai Trotti (Cartulis Music), and Margo Broom (Hermitage Working Studios) formed Hackney Electronica during COVID era. Trotti and Whalley were spending countless hours digging through records and making music during lockdown. As their sound took shape - heavy and hypnotic - they invited Broom to join, cementing the motley trio. The five pieces on Synaptic Shadows explore themes of altered states, late-night cityscapes, and the fine line between pleasure and paranoia. Each track pulses like a memory from the backstreets of Hackney, where the night transforms the city into an electrified maze of fleeting highs and inevitable crashes. The anxious grooves on \"H.E. Nuestro Circuito\" and \"Whispers from the Depths\" channel 1980s DIY electronics onto the contemporary dancefloor, while \"Efecto Perfecto,\" \"The One\", and \"Nueva Ola\" offer breakbeat-laced electro that will keep you dancing until dawn. 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Really simple, minimal disco a la Giorgio Moroder or Cerrone, actually Max Berlin (Jean-Pierre Cerrone) IS Cerrone's brother!On the flip we have The Woodleigh Research Facility - 'Borderland' (Andrew Weatherall Mix). 'Borderland' is a beautiful collaboration between Woodleigh Research Facility's Nina Walsh and viola virtuoso Sarah Sarhandi. Andrew Weatherall set Sarah's strings to an energetic electro glam stomp. A cracking kosmische, motorik 'Pomp \u0026amp; Circumstance' march, with something of Depeche Mode \/ New Order about it. Finishing off the EP with some 90s UK deep house bliss from Acupressure - 'We Are the Future' (Instrumental Mix) again this goes for big money on the Cogs.Tracklisting:A1: Dubtribe - Sunshine's ThemeA2: Max Berlin - Elle Et Moi (Instrumental Mix)B1: The Woodleigh Research Facility - Borderland (Andrew Weatherall Mix)B2: Acupressure - We Are the Future (Instrumental Mix)\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8031466702124\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rebirth\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.3.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\" Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Paraiso: The True Spirit Of Ibiza: Bonus Sampler 2","offers":[{"title":"Default Title","offer_id":51449090441512,"sku":"64860099","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/0155\/4472\/files\/4474106-3492858.jpg?v=1771536746"},{"product_id":"pre-order-max-naseck-monkey-part-2-b-w-lully-7-vinyl","title":"Max Naseck - Monkey Part 2 b\/w Lully [7\" Vinyl]","description":"\u003cp\u003eIn the ever-evolving yet foundational landscape of instrumental groove music, F-Spot Records is proud to debut \"Monkey Part 2 b\/w Lully\" from up-and-coming, multi-faceted keyboardist and composer Max Naseck. Raised in Dallas, Texas, but having worked throughout the Los Angeles music scene for almost a decade, Max Naseck, joined by guitarist Brandon Bae and drummer Julian Allen, brings his new trio project to life. After chasing this sound and style of playing for several years, Appropriately given the name \"The Left Hand of God\" by some of his musical peers, Max takes the classic soul jazz trio setting of holding down both the bass and melody elements and moves them to a unique combination of funky Moog synth (Key bass) and a Wurlitzer 200A electric piano. This 45 provides a fresh yet retro sound that is sure to leave listeners grooving and locked in.\u003c\/p\u003e\u003cp\u003eFrom the first notes and tight 4-on-the-floor rhythm, \"Monkey Part 2\" kicks off the A-side with a unique psychedelic blend of soul, funk, and a touch of disco. With Allen's groovy touch, Naseck perfectly locks in with his left hand, followed by Bae's precision-picked electric guitar, which completes the trio's solid groove, further propelled by Naseck's right hand taking the melodic lead. Then on side B, \"Lully\" brings the tempo down to a more soulful, atmospheric blend that's equal parts Khruangbin \u0026amp; modern jazz pioneers, a la John Scofield. 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Warm grooves, rich melodies, and tech-driven textures blend seamlessly to create a hypnotic soundscape. The release delivers deep basslines, atmospheric pads, and sophisticated rhythms—perfect for anyone who loves melodic energy with a refined underground edge.\u003c\/p\u003e\u003cp\u003eFrom intimate lounges to sunrise sets, this album brings modern deep house vibes with timeless soul. Clean Getaway is Gil Tamazyan’s latest deep house statement—a sleek fusion of driving basslines, atmospheric melodic layers, and tech-infused rhythms. 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To confuse the performance of darkness with it's actual weight. Hidden Fires Burn Hottest, the new album from San Francisco-based post-black metal band Bosse-de-Nage, sidesteps this entirely. It's the group's most fully realized work yet, precisely because it refuses to be pinned down.Bosse-de-Nage have been working with The Flenser for over fifteen years. They were one of the first bands the label ever partnered with and have the longest active relationship in the label's history. But unlike most bands who build momentum through constant touring and visibility, Bosse-de-Nage has largely existed apart from the music world's usual machinery. They've evolved on their own terms, in relative isolation, allowing the work to develop without outside pressure or influence. What began rooted in black metal anonymity has mutated into something that actively defies categorization. The aggression is still there, but it's no longer the point.Hidden Fires Burn Hottest finds the band treating emotions like physical objects, feelings with spatial properties. \"No Such Place\" describes a space that can't exist but does anyway, somewhere between thought and location. \"Immortality Project\" examines infinite possibility not as promise but as problem, endless options collapsing under their own weight. These songs don't use metaphor to describe emotion. They make emotion into something you could theoretically touch.Tracked by Jack Shirley (Deafheaven, Oathbreaker) at Atomic Garden East and mixed and mastered by Richard Chowenhill of Agriculture, Hidden Fires Burn Hottest was years in development, with some tracks beginning in 2018. The long writing process offered time that most records don't get. Time to live with ideas, revise endlessly, to let structures settle. For the first time, lyricist Bryan Manning wrote everything in advance, creating a surplus to pull from rather than working under deadline pressure. The difference shows.Coming off Further Still, an album built on constraint and economy, Bosse-de-Nage sought the opposite: sprawl, strangeness, fewer rules. Space for ideas to develop without rushing them. Dynamics that move through quiet as much as noise. Presence earned through atmosphere instead of volume. The record even includes \"Mementos,\" which might be considered the first love song the band has ever written.Nothing here coheres into a theme. These are pieces pulled from low moments and private feelings made public through sound. The band has never been interested in positivity, in music that resolves cleanly or offers comfort. But bleakness doesn't mean humorlessness. There's something darkly funny running through much of it, even when it shouldn't be.Hidden Fires Burn Hottest doesn't explain itself. 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Natalie says, \"On this record I chose to work with collaborators who also co-produce so from start to finish we were all so invested in every song. I really hope that people get as much joy from listening to this record as we did making it. And that they dance their arses off. This was by far the most fun I've ever had making a record. It also happened to coincide with the most challenging time I've had with my mental health. This is the beauty of music and artistic expression. You can take something dark and turn it into light.\" The single 'Upside Down' opens with a flourish of bright synths and energetic percussion, with Natalie's distinctive lilt floating above. As she reaches the chorus, it grows brighter - kaleidoscopic, shimmering - and we hear her relinquishing control and ultimately finding clarity in a song which came from a feeling of shame surrounding her mental health. 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Natalie says, \"On this record I chose to work with collaborators who also co-produce so from start to finish we were all so invested in every song. I really hope that people get as much joy from listening to this record as we did making it. And that they dance their arses off. This was by far the most fun I've ever had making a record. It also happened to coincide with the most challenging time I've had with my mental health. This is the beauty of music and artistic expression. You can take something dark and turn it into light.\" The single 'Upside Down' opens with a flourish of bright synths and energetic percussion, with Natalie's distinctive lilt floating above. As she reaches the chorus, it grows brighter - kaleidoscopic, shimmering - and we hear her relinquishing control and ultimately finding clarity in a song which came from a feeling of shame surrounding her mental health. 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