{"title":"Pre-Orders for Release Date: 08\/07\/2026","description":"\u003cp\u003eNew pre-order vinyl, CDs and tapes are available in store on release day when you choose local pick up or ship to store at check out.  99% of our pre-orders are fufilled before or on release day. \u003c\/p\u003e\n\u003cp\u003eA brand new item direct from the supplier, never played, in new condition. Notes: Pre-order items which are not limited editions or exclusive releases you may order as many as you like. Pre-orders will be made available in store on release day for local pick up orders and ship to store. Cancellation or returns of pre-order items will incur a 10% re-stocking fee.  Delays in shipment or supplier stock may result in a pre-order arriving later than expected.  This is not grounds for cancellation or return of an item unless the delay is greater than 10 days.  In the event the delay is from the label or artist (release is pushed back) the new release date will be used.\u003cbr\u003e\u003cbr\u003eLimited edition and exclusive releases: Pre-orders will be fulfilled in the order they were received.  In the event a release is sold out or not able to be fulfilled you will be refunded 100% of your total purchase price including all tax and shipping. \u003cbr\u003eDiscounts: Pre-order items are excluded for any and all discounts.  \u003c\/p\u003e","products":[{"product_id":"pre-order-paul-dunlea-mires-trevor-silfra-lp","title":"Pre-Order: Paul Dunlea  \/ Mires,Trevor - Silfra [LP]","description":"\u003cp\u003eThe twin trombone frontline is an esoteric but noble tradition in jazz, harking back to the famed 1950s recordings of Kai Windings and JJ Johnson. While respecting the tradition, the internationally renowned trombonists Paul Dunlea (from Cork) and Trevor Mires (from London) are not traditionalists, and their collaborative project Silfra showcases their thoroughly contemporary skills as composers and arrangers to create a fascinatingly diverse set of trombone led music. Silfra is the name of a place in Iceland where the tectonic plates of Europe and America meet and rub together. \"I scuba-dived between the two plates and touched them both at the same time,\" says Dunlea, and the album presents a true transatlantic meeting of talent. The project was conceived after Paul and Trevor worked together on a project at London's famous Ronnie Scott's Jazz Club, and the music was recorded at the legendary New York studio of Rudy Van Gelder with a specially assembled band of their favorite US musicians. For the drum chair, Trevor chose Billy Kilson, famed for his long association with Dave Holland, while Paul selected bassist Ike Sturm (Donny McCaslin) and pianist Jim Ridl (Kurt Elling, Joe Locke). Ryan Keberle contributes a third trombone to some of the sections to create a full, lush sound. 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Pairing Indian classical ragas with then-state-of-the-art Roland synthesizers and drum machines, Singh created an electronic masterpiece that was far ahead of it's time. Recording live at Mumbai's HMV studios, Singh married the past to the future-blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats. 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Technique remains a quiet servant to Toorell's compositional instincts and improvisational sensitivity.The album leaves space for unplanned resonances and happy accidents, yet it's structures are clear, resilient and finely balanced. The seventeen-minute 'Volta' unfolds as a shimmering continuum, it's repeated figures gently reshaped through minute inflections, creating a sensation of constant motion. 'Cripta' spirals inward, cycling hypnotically in a way that recalls both Terry Riley's iterative minimalism and the hallucinatory guitar loops of early Seefeel.With the closing 'Scala', the recording environment comes fully into view. Captured in a 16th-century wine cellar at Palazzo Stabile in Piemonte, Italy, the room functions as a guiding presence and an implicit third instrument. 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After cutting their teeth programming music with playable Nintendo cartridges and helping to bring a wider audience to a largely internet based 8-bit chiptune scene, the band was brought in to score the fan-favorite soundtrack for Scott Pilgrim vs. The World: The Game. The success of this game soundtrack would help them to launch an early crowdfunding success story with their campaign for their debut album, 2013's Endless Fantasy. From there, the band would go on to collaborate with virtual pop star Hatsune Miku (resulting in the perpetually viral, Fortnite-featured hit, \"Miku\"), and later develop the intricately soundscaped compositions displayed across their second album, [USA], but throughout it all the connection between the band and the Scott Pilgrim universe would remain a pivotal source of inspiration.After being brought in to score the animated Netflix series, Scott Pilgrim Takes Off, in 2023, band members Peter Berkman and Luke Silas would credit the live kinetic energy they channeled when writing songs for the in-universe garage band Sex Bob-Omb with helping them get back in touch with the roots of how they learned to play music even before Anamanaguchi's earliest releases. This process would eventually lead to Peter and Luke-alongside guitarist Ary Warnaar and bassist James DeVito-flipping their typically meticulous digital writing process for the more collaborative, straight to tape, distorted angst that can be found on 2025's acclaimed Anyway. That album marked another significant evolutionary turn for the band to come out of their relationship with Scott Pilgrim. As Anamanaguchi's work has continued to develop since their initial collaboration within the Scott Pilgrim universe, the cultural footprint of Scott Pilgrim has evolved as well. Moving from something akin to a cult classic niche comic into a widespread coming of age story for multiple generations across movies, anime, TV, and video games, the story rides the line of being crucially important to it's core fanbase while simultaneously existing as a widespread franchise known to the masses. 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