{"title":"Release Date: 03\/27\/2026","description":"\u003cp\u003eVinyl records and CDs that came out on 03\/27\/2026\u003c\/p\u003e","products":[{"product_id":"pre-order-kirk-knuffke-brother-cd","title":"Kirk Knuffke - Brother [CD]","description":"\u003cp\u003eCornetist Kirk Knuffke, hailed as \"one of modern jazz's most skilled navigators of the divide between freedom and swing,\" unveils another striking SteepleChase album this March. Following acclaimed projects like Cherryco, Tight Like This, Play Date, and Super Blonde, Knuffke again redefines ensemble possibilities with daring instrumentation and imaginative repertoire. His warm, distinctive cornet tone-played on the rare double shepherd's-crook horn-anchors a program balancing tradition and innovation. Standards, early jazz gems, and soulful classics are transformed through collective improvisation, while Knuffke's originals sparkle with wit and lyricism. Critics have praised his ability to honour past masters while sounding entirely himself. This new release continues that legacy: colourful, inventive, swinging, and deeply memorable.This new release confirms his stature and offers another dazzling chapter in his ongoing story. For longtime admirers, it is a welcome continuation; for newcomers, it is an ideal entry point into the world of a cornetist whose artistry bridges past and present, inside and outside, swing and freedom. \"Cornetist Kirk Knuffke's exquisite taste is long established. _at aesthetic has always arrived subtly and cleanly, as it does on this beguiling new album\". (Peter Margasak - Downbeat on SCCD31964 Super Bonde)\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 716043199921\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Steeplechase\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Kirk Knuffke","offers":[{"title":"Default Title","offer_id":51441888198952,"sku":"82484839","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/0155\/4472\/files\/4484357-3505452.jpg?v=1771361085"},{"product_id":"pre-order-andre-navarra-elgar-from-the-archives-vol-2-cd","title":"André Navarra - Elgar From The Archives Vol. 2 [CD]","description":"\u003cp\u003eSOMM Recordings' new series, \"Elgar from the Archives,\" explores Edward Elgar's music with rare archival recordings, not only from well-known British interpreters but also from lesser known, yet equally laudable, international conductors and soloists.Volume 2 in the series features historic live performances of Sir Edward Elgar's Violin Concerto in B minor, Op. 61 with Tibor Varga, and the Cello Concerto in E minor, Op. 85 with Andre Navarra. Lani Spahr-whose work as a master recording engineer of historic reissues has been honoured by Gramophone Magazine-has once again expertly realised the audio restoration of these performances.  The Royal Philharmonic Society of London commissioned the Violin Concerto from Elgar in 1909. Composed within a year of his First Symphony, it is one of his longest orchestral compositions and has the reputation of being one of the most difficult in the violin repertoire. He dedicated it to the noted violin master of his day, Fritz Kreisler, who gave the premiere performance in 1910 with Elgar conducting. The Hungarian violinist Tibor Varga (1921-2003) was 6 years old when he made his first public appearance, becoming one of the most prominent soloists of his generation. The Franz Liszt Academy appointed him an honorary professor-a rare distinction also awarded to Elgar, Emil Gilels, Richard Strauss, and Arturo Toscanini, amongst others. Varga moved to London in 1947, became a citizen, and lived in Britain for nine years. That experience is reflected in his fine, committed performance of Elgar's concerto. This recording, from 1957, is with the Dutch composer and conductor Jan Koetsier and the Bamberg Symphony Orchestra.  Following the Great War, Lady Elgar noted that her husband's compositions were different in style and character. His four-movement Cello Concerto, completed in 1919, is barely longer than the first movement of his Violin Concerto, and it is a contemplative, elegiac work with a heartfelt third-movement adagio that is a masterful example of controlled emotion. Yet the concerto ends on a positive note, as the declamatory opening returns in a valedictory form at the end of the finale. The renowned cellist Andre Navarra (1911-1988) graduated from the Paris Conservatoire at the age of fifteen, and he was later mentored by Pablo Casals. He toured extensively in the United States, Europe, Asia, and the Soviet Union, playing with the great conductors of the era, and he was one of a number of distinguished French cellists who embraced the Elgar concerto. He chose it for his first public performance in Britain at the 1950 Cheltenham Festival with John Barbirolli-with whom he recorded the concerto in 1957. His recording here with German conductor Fritz Rieger and the Munich Philharmonic Orchestra, comes from 1956.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 758871504720\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Somm Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"André Navarra","offers":[{"title":"Default Title","offer_id":51441888395560,"sku":"82534761","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/0155\/4472\/files\/4484350-3505470.jpg?v=1771361087"},{"product_id":"pre-order-long-ryders-high-noon-hymns-cd","title":"Long Ryders - High Noon Hymns [CD]","description":"\u003cp\u003eLong Ryder guitarist\/mandolinist Sid Griffin states 'High Noon Hymns' is \"two thirds the distilled altcountry genre we helped found back in the 1980s, one third Paisley Underground adventurism yet with a dash of our own crazed soulfulness thrown in.\" Due to the unexpected passing of Long Ryders' bassist Tom Stevens, bass duties on the new album were shared by Murry Hammond of Americana stalwarts The Old 97s and The Long Ryders' own Stephen McCarthy. McCarthy also performs live with The Jayhawks and occasionally records with the Dream Syndicate. Guests appearing in the album include DJ Bonebrake of X on vibes and young bluegrass wunderkind Wyatt Ellis on mandolin. 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John Wilson and Sinfonia of London explore this repertoire with characteristic style and commitment, leading us on a journey through student compositions and orchestral extracts from his earliest operas. Studying under Amilcare Ponchielli at the Milan Conservatory from 1880 to 1883, he created the Preludio sinfonico (loosely based on Wagner's Prelude to Lohengrin), the Scherzo, Trio, and Adagetto, and Capriccio sinfonico, his graduation piece, which famously pre-echoes the opening of La boheme by a decade. The one-act opera Le villi was composed for a competition launched by the publisher Sonzogno (Puccini didn't win), whilst themes from the contemporaneous Tre minuetti and Crisantemi (both for string quartet) were subsequently re-cycled in Manon Lescaut. Verdi's publisher, Ricordi, bought the rights to Le villi, and commissioned a new work at the same time: Edgar, which, largely owing to the absurd plot, is arguably Puccini's only failure, despite some fully mature music easily the match of the more celebrated scores.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 0095115538524\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Chandos\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Sinfonia Of London","offers":[{"title":"Default Title","offer_id":51441888657704,"sku":"82409653","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/0155\/4472\/files\/4484270-3505361.jpg?v=1771361089"},{"product_id":"pre-order-mf-robots-iii-part-one-cd","title":"MF Robots - Iii (Part One) [CD]","description":"\u003cp\u003eMF Robots return with a euphoric blend of Afro-soul-funk, delivering a release brimming with optimism, tight vocals, and the inescapable grooves that have become their signature. This album is a celebration of life, love, and musical joy, radiating positivity from start to finish.Co-founder Jan Kincaid describes the track Glide as \"a celebration of the unfolding of a love story.\" From it's romantic, reflective instrumental introduction to the soulfully upbeat opening bars, the listener is immediately swept into a journey. True to MF Robots' style, the track is joyful and celebratory, yet it pushes further-exploring the path love takes over time, and how, when it works, we can glide through life's challenges with the right person by our side.The album's vibe is exuberant and full of energy, paying homage to soulful greats while adding a modern twist. There's a subtle nod to legends like Earth, Wind \u0026amp; Fire, but what truly shines through is the sense of fun-the feeling that MF Robots are having an absolute ball singing, playing, and creating music that moves both body and soul.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThat's The Way\u003c\/li\u003e\n\u003cli\u003eChildren of The World\u003c\/li\u003e\n\u003cli\u003eThe Pressure\u003c\/li\u003e\n\u003cli\u003eGlide\u003c\/li\u003e\n\u003cli\u003eLay It Back\u003c\/li\u003e\n\u003cli\u003eHello Sunshine\u003c\/li\u003e\n\u003cli\u003eThrough The Pain\u003c\/li\u003e\n\u003cli\u003eShows Us The Way\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5053760145141\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good People\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MF Robots","offers":[{"title":"Default Title","offer_id":51441888821544,"sku":"74860364","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/0155\/4472\/files\/4478073-3498109.jpg?v=1771361092"},{"product_id":"pre-order-kevin-hays-ugly-beauty-lp","title":"Kevin Hays - Ugly Beauty [LP]","description":"\u003cp\u003eWhen Producer Nils Winther heard for the first time Kevin Hays at Ron McClure1990 session for SCCD 31279 \"Never Forget\", he knew immediately he found an exceptional talent. Hays cut his first leader album for the label three months after the McClure date at the age of 22.His second leader album Ugly Beauty (originally released in 1992) returns here in a stunning 24bit\/96kHz remaster as G1297, reaffirming it's place as a landmark in the pianist's early career. Recorded with bassist Larry Grenadier and drummer Jeff Williams, the album marked Hays's first trio outing-an ensemble format that would become central to his artistic identity. The program blends jazz standards with Hays's original The Well, showcasing his lyrical touch, harmonic depth, and rhythmic drive. The session captures Hays's youthful brilliance while foreshadowing the maturity and originality that define his later work. More than three decades on, Ugly Beauty remains fresh, vital, and deeply engaging-a timeless document of three master musicians in inspired dialogue.\"Hays' development will be interesting to watch... \" (Cadence)\"... 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Husa went to Paris to study underNadia Boulanger and Arthur Honegger. After the communist putsch of February 1948, he decided to remain abroad, working at Cornell University in the USA most of his life. He never forgot his homeland, however. This can be heard, for example, in his colourfulSerenade for Wind Quintet, Strings, Xylophone and Harp, which draws upon material from his earlier Evocations de Slovaquie. In these works, the composer relived his difficult decision not to return to his homeland. About Recollections for wind quintet and piano, the composer said: \"Recollections are vivid, but not exactly precise. The way we remember things is a mix of accuracy and fancy... To accomplish all this, I wanted the composition to develop from simple tones and to return to them, all the while researching new combinations and sonorities in the quintet.\" Husa put his love of birds into his Five Poems for wind quintet, \"for these wonderful creatures, who embellish our lives so magically\"; he employs a wide range of musical resources including microtones and aleatory. 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Reviewers at journals including Gramophone, BBC Music Magazine, and Classica enthusiastically compared his Supraphon debut album of the complete sonatas for solo violin by Eugene Ysaye (2023) with recordings made by today's star violinists. It was clear that after that solo album, Matejca would soon return to the studio to record Shostakovich's First Concerto. The composer wrote it in 1947\/48 for David Oistrakh. Shostakovich, however, had been labelled a \"formalist\", and is prominent use of Jewish musical motifs was another obstacle under the antisemitic Soviet regime, so the premiere of this exciting work was postponed until after Stalin's death. Sergei Prokofiev worked on his First Violin Concerto intermittently between 1914 and 1917. Full of contrasting passages, the work differs sharply from Shostakovich's dramatic concerto. 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