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With the dream â€˜not to sprinkle world music around a rock festival, but to prove that these great artists could be headliners in their own rightâ€™, the three days and five stages played host to 60 bands from over 20 countries; a line-up that included The Drummers of Burundi, Pigbag, Salsa de Hoy, Simple Minds, Musicians of the Nile, Echo and the Bunnymen, Prince Nico Mbarga, Rip, Rig and Panic, The Beat and many moreâ€¦\u003c\/p\u003e\u003cp\u003eâ€œI remember this gig well,â€ says Peter Gabriel. â€œWe played a mix of old and brand-new material. 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Jerry Marotta (drums), Peter Hammill (guitar, vocals) and â€œthe wonderful Bristol-based drum and dance group,â€ EkomÃ© (drums, percussion).\u003c\/p\u003e\u003cp\u003eâ€œWe wanted to show that wherever you were born, whatever colour or language, whatever religious or sexual persuasion, powerful passionate and joyful work would have a warm welcome in WOMAD.\u003c\/p\u003e\u003cp\u003eAt the beginning, most music industry professionals told us that we had no chance of making this dream work, we had all the wonderful naÃ¯ve misguided optimism of the young, and were convinced that we would prove all the cynics wrong. 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They are a statement of where I am as an artist.\" As Michal Biel, who draws on all the possibilities of a Steinway grand piano, freely admits: \"If music... is not an answer to the question of how to perform these masterpieces with historical authenticity.\" He sees each aria or song as \"a carefully considered transcription that reveals it's appeal transcending instrumentation\".\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOedipus, Z. 583: No. 2, Song. \"Music for a While\"\u003c\/li\u003e\n\u003cli\u003eKing Arthur, Z. 628, Act 5: The Final Masque. \"Fairest Isle\"\u003c\/li\u003e\n\u003cli\u003eKing Arthur, Z. 628, Act 3: Cold Song. \"What Power Art Thou?\"\u003c\/li\u003e\n\u003cli\u003eCome, Ye Sons of Art Away, Z. 323: No. 5, Ritornello. \"Strike the Viol\"\u003c\/li\u003e\n\u003cli\u003eIf Music Be the Food of Love, Z. 379 (Third Version)\u003c\/li\u003e\n\u003cli\u003ePausanius, Z. 585: Song. \"Sweeter Than Roses\"\u003c\/li\u003e\n\u003cli\u003eIf Music Be the Food of Love, Z. 379 (First Version)\u003c\/li\u003e\n\u003cli\u003eBonduca, Z. 574, Act 5: Solo. \"O, Lead Me\"\u003c\/li\u003e\n\u003cli\u003eThe Tempest, Z. 631, Act 5: Recitative and Song. \"Your Awful Voice\"\u003c\/li\u003e\n\u003cli\u003eIl fonte della salute, aperto dalla grazia nel calvario, K. 293: \"Non t'amo per il ciel\"\u003c\/li\u003e\n\u003cli\u003eAgrippina, HWV 6, Act 2: Recitativo. \"Otton, qual portentoso fulmine Ã¨ questi?\" (Ottone)\u003c\/li\u003e\n\u003cli\u003eAgrippina, HWV 6, Act 2: Aria. \"Voi che udite\" (Ottone)\u003c\/li\u003e\n\u003cli\u003eRodelinda, regina de' Longobardi, HWV 19, Act 3: Aria. \"Un zeffiro spirÃ²\" (Rodelinda)\u003c\/li\u003e\n\u003cli\u003eSerse, HWV 40, Act 1: Largo. \"Ombra mai fu\" (Serse)\u003c\/li\u003e\n\u003cli\u003eRinaldo, HWV 7, Act 2: Aria. \"Siam prossimi al porto\" (Eustazio)\u003c\/li\u003e\n\u003cli\u003ePartenope, HWV 27, Act 2: Aria. \"Furibondo spira il vento\" (Arsace)\u003c\/li\u003e\n\u003cli\u003eSemele, HWV 58, Act 2: Aria. \"Where'er You Walk\" (Jupiter)\u003c\/li\u003e\n\u003cli\u003eHerz und Mund und Tat und Leben, BWV 147: X. 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