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It has been six years since Holy Fuck's last album, 2020's 'Deleter'. In that time, the Canadian quartet-Brian Borcherdt, Graham Walsh, Matt 'Punchy' McQuaid, and Matt Schulz-spent two years apart, only to finally reconvene in a remote village hall in rural Nova Scotia in March 2022. What began as a simple reunion and rehearsal session soon flowed into new song ideas, becoming the starting point for their upcoming album, 'Event Beat At a time when music is increasingly AI-generated, Holy Fuck are more relevant than ever. They've built their reputation on forging electronic music with a profound human touch, keeping every element as live as possible, and favoring ragged energy and improvisation over staid, cold perfection. This is music where intuition and \"muscle memory\" create an almost telepathic link between the four musicians. The unexpected circumstances of the recording sessions profoundly shaped the album. Faced with a storm that knocked out power (forcing the use of a generator) and a neighbour who objected to the volume, the band was challenged to make their signature sound while being as quiet as possible. This limitation unexpectedly resulted in \"low-key ambient things\" and \"pastoral, vibey soundscapes\". However, hitting play on 'Event Beat' reveals they brilliantly circumvented the idea of a purely ambient record. The album also comes in the wake of two major placements that led to an unexpected rediscovery: their track 'Tom Tom' was featured in the Amazon Prime Video hit animated series 'Invincible'. Furthermore, 'Lost Cool' resurfaced in the Academy Award-winning body horror 'The Substance' With the sheer vibrancy of 'Event Beat' and their conviction to keep going regardless of trends, Holy Fuck remain as relevant as ever. This album is a testament to the \"togetherness and the humanity in the music\".\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEvie\u003c\/li\u003e\n\u003cli\u003eBroken Roots\u003c\/li\u003e\n\u003cli\u003eElevate\u003c\/li\u003e\n\u003cli\u003eCzar\u003c\/li\u003e\n\u003cli\u003eSeven\u003c\/li\u003e\n\u003cli\u003eIce Box\u003c\/li\u003e\n\u003cli\u003eGold Flakes\u003c\/li\u003e\n\u003cli\u003eAerosol\u003c\/li\u003e\n\u003cli\u003eBricks\u003c\/li\u003e\n\u003cli\u003eDiamonds\u003c\/li\u003e\n\u003cli\u003eEvent Beat\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 840526502608\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Satellite Services\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.3.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Holy Fuck","offers":[{"title":"Default Title","offer_id":51446285074728,"sku":"94042652","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/0155\/4472\/files\/4486073-3510510.jpg?v=1771434924"},{"product_id":"pre-order-lead-injector-witching-attack-indie-exclusive-silver-colored-vinyl-slv-indie-exclusive","title":"Lead Injector - Witching Attack [Indie Exclusive] Silver [Colored Vinyl] (Slv) [Indie Exclusive]","description":"\u003cp\u003eDresden-based black\/thrash newcomers Lead Injector present their debut album, Witching Attack. This uncompromising homage to classic extreme metal was recorded in seven intense days in August 2025 at Stereoid Studios in Schönfels, Saxony. Founded in 2022, the trio is the first serious band for all three members after experiences in solo projects and school ensembles, and quickly found a place in the local scene with their 2024 demo From the Crypts... of Hell. Witching Attack now combines new recordings of demo tracks with fresh material. With Witching Attack, Lead Injector are making a statement: extreme metal with recognition value, authentically produced and carried by the energy of a hungry young band that will play a decisive role in shaping the scene in the future.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSiege Upon Heaven\u003c\/li\u003e\n\u003cli\u003eSacrifice This Bitch\u003c\/li\u003e\n\u003cli\u003eEvil Executioner\u003c\/li\u003e\n\u003cli\u003eWitching Attack\u003c\/li\u003e\n\u003cli\u003eChains\u003c\/li\u003e\n\u003cli\u003eAngel Destructor\u003c\/li\u003e\n\u003cli\u003ePest Thrash\u003c\/li\u003e\n\u003cli\u003eM.C.C.I.\u003c\/li\u003e\n\u003cli\u003eInfinite Force\u003c\/li\u003e\n\u003cli\u003eNuclear Antichrist\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4251267723867\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e High Roller Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.3.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Lead Injector","offers":[{"title":"Default Title","offer_id":51446285435176,"sku":"101545402","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/0155\/4472\/files\/4489075-3517530.jpg?v=1771434930"},{"product_id":"pre-order-daniel-barenboim-orchestre-de-paris-warner-classics-edition-complete-emi-cd","title":"Daniel Barenboim  \/ Orchestre De Paris - Warner Classics Edition: Complete Emi [CD]","description":"\u003cp\u003eDaniel Barenboim served as the Chief Conductor of the Orchestre de Paris from 1975 to 1989, following Charles Munch, Herbert von Karajan and Georg Solti, starting the role at the age of 33. His tenure was marked by a strong commitment to both the classical repertoire and contemporary music by composers such as Boulez, Dutilleux, and Henze. Barenboim's collaboration with the orchestra resulted in numerous recordings, including a significant body of French repertoire, many of them originally issued on EMI Classics and Erato.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCarmen Suite No. 1: I. Prélude (Orch. Guiraud)\u003c\/li\u003e\n\u003cli\u003eCarmen Suite No. 1: II. Aragonaise (Orch. Guiraud)\u003c\/li\u003e\n\u003cli\u003eCarmen Suite No. 1: III. Intermezzo (Orch. Guiraud)\u003c\/li\u003e\n\u003cli\u003eCarmen Suite No. 1: IV. Les Dragons D'alcala (Orch. Guiraud)\u003c\/li\u003e\n\u003cli\u003eCarmen Suite No. 1: V. Les Toréadors (Orch. Guiraud)\u003c\/li\u003e\n\u003cli\u003ePetite Suite Des \"Jeux D'enfants\", Op. 22, WD 39: I. Marche \"Trompette Et Tambour\"\u003c\/li\u003e\n\u003cli\u003ePetite Suite Des \"Jeux D'enfants\", Op. 22, WD 39: II. Berceuse \"La Poupée\"\u003c\/li\u003e\n\u003cli\u003ePetite Suite Des \"Jeux D'enfants\", Op. 22, WD 39: III. Impromptu \"La Toupie\"\u003c\/li\u003e\n\u003cli\u003ePetite Suite Des \"Jeux D'enfants\", Op. 22, WD 39: IV. Duo \"Petit Mari, Petite Femme\"\u003c\/li\u003e\n\u003cli\u003ePetite Suite Des \"Jeux D'enfants\", Op. 22, WD 39: V. Galop \"Le Bal\"\u003c\/li\u003e\n\u003cli\u003eL'arlésienne Suite No. 1, Op. 23Bis, WD 40: I. Prélude\u003c\/li\u003e\n\u003cli\u003eL'arlésienne Suite No. 1, Op. 23Bis, WD 40: II. Menuet\u003c\/li\u003e\n\u003cli\u003eL'arlésienne Suite No. 1, Op. 23Bis, WD 40: III. Adagietto\u003c\/li\u003e\n\u003cli\u003eL'arlésienne Suite No. 1, Op. 23Bis, WD 40: IV. Carillon\u003c\/li\u003e\n\u003cli\u003eRequiem, Op. 48: I. Introït Et Kyrie\u003c\/li\u003e\n\u003cli\u003eRequiem, Op. 48: II. Offertoire\u003c\/li\u003e\n\u003cli\u003eRequiem, Op. 48: III. Sanctus\u003c\/li\u003e\n\u003cli\u003eRequiem, Op. 48: IV. Pie Jesu\u003c\/li\u003e\n\u003cli\u003eRequiem, Op. 48: V. Agnus Dei\u003c\/li\u003e\n\u003cli\u003eRequiem, Op. 48: VI. Libera Me\u003c\/li\u003e\n\u003cli\u003eRequiem, Op. 48: VII. in Paradisum\u003c\/li\u003e\n\u003cli\u003ePavane, Op. 50 (Version with Chorus)\u003c\/li\u003e\n\u003cli\u003eSymphony in C Major, WD 33: I. Allegro Vivo\u003c\/li\u003e\n\u003cli\u003eSymphony in C Major, WD 33: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony in C Major, WD 33: III. Scherzo. Allegro Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony in C Major, WD 33: IV. Finale. Allegro Vivace\u003c\/li\u003e\n\u003cli\u003eSuite de la Jolie Fille de Perth \"Scènes Bohémiennes\": I. Prélude\u003c\/li\u003e\n\u003cli\u003eSuite de la Jolie Fille de Perth \"Scènes Bohémiennes\": II. Sérénade\u003c\/li\u003e\n\u003cli\u003eSuite de la Jolie Fille de Perth \"Scènes Bohémiennes\": III. Marche\u003c\/li\u003e\n\u003cli\u003eSuite de la Jolie Fille de Perth \"Scènes Bohémiennes\": IV. Danse Bohémienne\u003c\/li\u003e\n\u003cli\u003ePatrie, Op.19 (1993 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 1 in G Major, K. 313: I. Allegro Maestoso\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 1 in G Major, K. 313: II. Adagio Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto No. 1 in G Major, K. 313: III. Rondo. Tempo Di Menuetto\u003c\/li\u003e\n\u003cli\u003eAndante for Flute and Orchestra in C Major, K. 315\u003c\/li\u003e\n\u003cli\u003eOboe Concerto in C Major, K. 314: I. Allegro Aperto\u003c\/li\u003e\n\u003cli\u003eOboe Concerto in C Major, K. 314: II. Adagio Non Troppo\u003c\/li\u003e\n\u003cli\u003eOboe Concerto in C Major, K. 314: III. Rondo. Allegretto\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D minor, Op. 31: I. Andante\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D minor, Op. 31: II. Adagio Religioso\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D minor, Op. 31: III. Scherzo ; Trio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D minor, Op. 31: IV. Finale Marciale\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Minor, Op. 37: I. Allegro Non Troppo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Minor, Op. 37: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Minor, Op. 37: III. Allegro Con Fuoco\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": I. Allegro Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": II. Andante Cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": IV. Molto Allegro\u003c\/li\u003e\n\u003cli\u003eEine Kleine Nachtmusik, K. 525: I. Allegro\u003c\/li\u003e\n\u003cli\u003eEine Kleine Nachtmusik, K. 525: II. Romance. Andante\u003c\/li\u003e\n\u003cli\u003eEine Kleine Nachtmusik, K. 525: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eEine Kleine Nachtmusik, K. 525: IV. Rondo. Allegro\u003c\/li\u003e\n\u003cli\u003eRequiem in D minor, K. 626: I. Introitus\u003c\/li\u003e\n\u003cli\u003eRequiem in D minor, K. 626: II. Kyrie\u003c\/li\u003e\n\u003cli\u003eRequiem in D minor, K. 626: III. Dies Irae\u003c\/li\u003e\n\u003cli\u003eRequiem in D minor, K. 626: IV. Tuba Mirum\u003c\/li\u003e\n\u003cli\u003eRequiem in D minor, K. 626: V. Rex Tremendae\u003c\/li\u003e\n\u003cli\u003eRequiem in D minor, K. 626: VI. Recordare\u003c\/li\u003e\n\u003cli\u003eRequiem in D minor, K. 626: VII. Confutatis\u003c\/li\u003e\n\u003cli\u003eRequiem in D minor, K. 626: VIII. Lacrimosa\u003c\/li\u003e\n\u003cli\u003eRequiem in D minor, K. 626: IX. Domine Jesu Christe\u003c\/li\u003e\n\u003cli\u003eRequiem in D minor, K. 626: X. Hostias\u003c\/li\u003e\n\u003cli\u003eRequiem in D minor, K. 626: XI. Sanctus\u003c\/li\u003e\n\u003cli\u003eRequiem in D minor, K. 626: XII. Benedictus\u003c\/li\u003e\n\u003cli\u003eRequiem in D minor, K. 626: XIII. Agnus Dei\u003c\/li\u003e\n\u003cli\u003eRequiem in D minor, K. 626: XIV. Communio\u003c\/li\u003e\n\u003cli\u003eNoches en los Jardines de España: I. en El Generalife\u003c\/li\u003e\n\u003cli\u003eNoches en los Jardines de España: II. Danza Lejana ; III. en los Jardines de la Sierra de Córdoba\u003c\/li\u003e\n\u003cli\u003eIberia, Cuaderno I: No. 1, Evocación (Orch. Fernández-Arbós)\u003c\/li\u003e\n\u003cli\u003eIberia, Cuaderno I: No. 2, El Puerto (Orch. Fernández-Arbós)\u003c\/li\u003e\n\u003cli\u003eIberia, Cuaderno III: No. 7, El Albaicín (Orch. Fernández-Arbós)\u003c\/li\u003e\n\u003cli\u003eIberia, Cuaderno I: No. 3, El Corpus en Sevilla (Orch. Fernández-Arbós)\u003c\/li\u003e\n\u003cli\u003eIberia, Cuaderno II: No. 6, Triana (Orch. Fernández-Arbós)\u003c\/li\u003e\n\u003cli\u003eLe Sacre Du Printemps, Pt. 1 \"L'adoration de la Terre\": Introduction\u003c\/li\u003e\n\u003cli\u003eLe Sacre Du Printemps, Pt. 1 \"L'adoration de la Terre\": Les Augures Printaniers - Danses Des Adolescentes\u003c\/li\u003e\n\u003cli\u003eLe Sacre Du Printemps, Pt. 1 \"L'adoration de la Terre\": Jeu Du Rapt\u003c\/li\u003e\n\u003cli\u003eLe Sacre Du Printemps, Pt. 1 \"L'adoration de la Terre\": Rondes Printanières\u003c\/li\u003e\n\u003cli\u003eLe Sacre Du Printemps, Pt. 1 \"L'adoration de la Terre\": Jeu Des Cités Rivales\u003c\/li\u003e\n\u003cli\u003eLe Sacre Du Printemps, Pt. 1 \"L'adoration de la Terre\": Cortège Du Sage\u003c\/li\u003e\n\u003cli\u003eLe Sacre Du Printemps, Pt. 1 \"L'adoration de la Terre\": Adoration de la Terre. Le Sage\u003c\/li\u003e\n\u003cli\u003eLe Sacre Du Printemps, Pt. 1 \"L'adoration de la Terre\": Danse de la Terre\u003c\/li\u003e\n\u003cli\u003eLe Sacre Du Printemps, Pt. 2 \"Le Sacrifice\": Introduction\u003c\/li\u003e\n\u003cli\u003eLe Sacre Du Printemps, Pt. 2 \"Le Sacrifice\": Cercles Mystérieux Des Adolescentes\u003c\/li\u003e\n\u003cli\u003eLe Sacre Du Printemps, Pt. 2 \"Le Sacrifice\": Glorification de L'élue\u003c\/li\u003e\n\u003cli\u003eLe Sacre Du Printemps, Pt. 2 \"Le Sacrifice\": Évocation Des Ancêtres\u003c\/li\u003e\n\u003cli\u003eLe Sacre Du Printemps, Pt. 2 \"Le Sacrifice\": Action Rituelle Des Ancêtres\u003c\/li\u003e\n\u003cli\u003eLe Sacre Du Printemps, Pt. 2 \"Le Sacrifice\": Danse Sacrale. L'élue\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4, Op. 54 \"Poème de L'extase\"\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1: I. Passacaille. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1: II. Scherzo Molto Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1: III. Intermezzo. Lento\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1: IV. Finale Con Variazioni\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 \"Le Double\": I. Animato Ma Misterioso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 \"Le Double\": II. Andante Sostenuto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 \"Le Double\": III. Allegro Fuocoso - Calmato\u003c\/li\u003e\n\u003cli\u003eSymphony of Psalms: I. Exaudi Orationem Meam\u003c\/li\u003e\n\u003cli\u003eSymphony of Psalms: II. Expectans Expectavi Dominum\u003c\/li\u003e\n\u003cli\u003eSymphony of Psalms: III. Laudate Dominum\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in C minor, Op. 43 \"Divine Poem\": I. Lento\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in C minor, Op. 43 \"Divine Poem\": II. Luttes\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in C minor, Op. 43 \"Divine Poem\": III. Voluptés\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in C minor, Op. 43 \"Divine Poem\": IV. Jeu Divin\u003c\/li\u003e\n\u003cli\u003eKindertotenlieder: No. 1, Nun Will Die Sonn' So Hell Aufgeh'n\u003c\/li\u003e\n\u003cli\u003eKindertotenlieder: No. 2, Nun Seh' Ich Wohl, Warum So Dunkle Flammen\u003c\/li\u003e\n\u003cli\u003eKindertotenlieder: No. 3, Wenn Dein Mütterlein Tritt Zur TÃœR Herein\u003c\/li\u003e\n\u003cli\u003eKindertotenlieder: No. 4, Oft Denk' Ich, Sie Sind Nur Ausgegangen\u003c\/li\u003e\n\u003cli\u003eKindertotenlieder: No. 5, in Diesem Wetter, in Diesem Braus\u003c\/li\u003e\n\u003cli\u003eWesendonck Lieder: No. 1, Der Engel (Orch. Mottl)\u003c\/li\u003e\n\u003cli\u003eWesendonck Lieder: No. 2, Stehe Still (Orch. Mottl)\u003c\/li\u003e\n\u003cli\u003eWesendonck Lieder, WWV 91: No. 3, Im Treibhaus (Orch. Mottl)\u003c\/li\u003e\n\u003cli\u003eWesendonck Lieder, WWV 91: No. 4, Schmerzen (Orch. 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White is known for his long association with Paul Weller, as a member of the Style Council, playing on the hit single \"Long Hot Summer\" and Weller's biggest solo albums: Wildwood, Stanley Road, Heavy Soul and As Is Now. Alongside this, he continued to record in both jazz and soul settings, under names such as Trio Valore, The Groove Train and of course the Jazz Renegades - his great late '80s Hard Bop outfit that recorded an LP for Polydor, another for Acid Jazz-precursor label Re-Elect The President, and an EP for Acid Jazz. On Soul Drums, his return to Acid Jazz Records, he plays glorious tribute to his jazz roots and filmic influences, performing alongside long-time collaborator Chris Hague. The perfect album to introduce this new jazz series, with a midcentury-inspired sleeve to match. 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Lincoln rejected convention and built a body of work that joined poetry, melody, and moral clarity. Her late career revealed a powerful catalogue of original songs, deeply personal and still rarely covered. Rampal approaches Lincoln as a living influence rather than a distant monument. The album revisits key works from Lincoln's repertoire and sets them alongside pieces that illuminate her roots and affinities-Oscar Brown Jr., Bob Dylan, standards such as Skylark-mapping the sources that nourished her imagination. Songs such as Caged Bird, Learning How to Listen, and The Music Is the Magic are treated as present tense, not archival objects. Guest appearances from Bill Frisell and Archie Shepp mark continuity rather than nostalgia. Frisell's guitar brings lyric economy. Shepp, once close to Lincoln, joins Rampal in newly created music, linking memory with current creation. The arrangements avoid imitation. They search for the structural core of each song-speech rhythm, dramatic line, silence as active element. Rampal's vocal approach privileges articulation, text, timbre, and narrative clarity, drawing on jazz, blues, and folk without display. The result is not pastiche but reactivation: Lincoln's questions about self, freedom, and responsibility in sound are carried forward. Song for Abbey also presents Lincoln as an artist who resisted constraint-industry pressures, gendered expectations, racial projections-not through manifesto but through work. Independence is audible in the songs themselves: direct language, exact phrasing, demanding listening. The album acts as remembrance and renewal, lively rather than reverential, combining melody with free, untamed passages. It conveys the force of an artist who understood jazz as a medium for shaping voice and character.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLearning How to Listen\u003c\/li\u003e\n\u003cli\u003eWholly Earth\u003c\/li\u003e\n\u003cli\u003eCaged Bird\u003c\/li\u003e\n\u003cli\u003eMusic Is the Magic\u003c\/li\u003e\n\u003cli\u003eAnd It's Supposed to Be Love\u003c\/li\u003e\n\u003cli\u003eSkylark\u003c\/li\u003e\n\u003cli\u003eThrow It Away\u003c\/li\u003e\n\u003cli\u003eRemember the People\u003c\/li\u003e\n\u003cli\u003eMr Tambourine Man\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3521381600636\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rivieres Souterrains\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.3.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Marion Rampal","offers":[{"title":"Default Title","offer_id":51449044009256,"sku":"48834161","price":36.99,"currency_code":"USD","in_stock":true}]},{"product_id":"pre-order-alan-howarth-blue-colv-gate-grn-retribution-o-s-t-blue-colored-vinyl-gate-grn","title":"Alan Howarth  (Blue) (Colv) (Gate) (Grn) - Retribution - O.S.T. (Blue) [Colored Vinyl] (Gate) (Grn)","description":"\u003cp\u003eRetribution original motion picture soundtrack, composed by Alan Howarth (known for composing Halloween 2 \u0026amp; III, Escape from New York, They Live, Big Trouble in Little China). Dark ambient synthesizer score for the 1987 film \"Retribution\" directed by Guy Magar.Film Description: Supernatural terror erupts on a Halloween night when two men simultaneously die. A frustrated artist jumps off the roof of his flea bag hotel, at the exact moment that Vito, a small-time hood, is viciously tortured and set ablaze by thugs. Upon their deaths, the two souls intertwine. George survives only to be possessed by the tortured soul of Vito.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRetribution Theme\u003c\/li\u003e\n\u003cli\u003eThe Apartment\u003c\/li\u003e\n\u003cli\u003eBus Ride to Minelli's\u003c\/li\u003e\n\u003cli\u003eGeorge Meets Little Vito\u003c\/li\u003e\n\u003cli\u003eThe Gallery\u003c\/li\u003e\n\u003cli\u003eA Real Date\u003c\/li\u003e\n\u003cli\u003eDoctor Rasta\u003c\/li\u003e\n\u003cli\u003eJoe's Garage\u003c\/li\u003e\n\u003cli\u003ePsychic Encounter\u003c\/li\u003e\n\u003cli\u003eNo More\u003c\/li\u003e\n\u003cli\u003eStreet Rain\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 826853004497\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mystic Vault Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.3.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alan Howarth (Blue) (Colv) (Gate) (Grn)","offers":[{"title":"Default Title","offer_id":51449044599080,"sku":"54144","price":47.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/0155\/4472\/files\/4329093-3144636.jpg?v=1771536458"},{"product_id":"pre-order-steel-beans-steel-beans-white-colored-vinyl-gate-wht","title":"Steel Beans - Steel Beans [White]","description":"\u003cp\u003eFew artists can make chaos sound this fun. Steel Beans, the self-titled album from the genre-bending one-man band, is a wild ride through rock, funk, jazz, and whatever else happens to cross the radar of Everett, WA's Jeremy DeBardi - the multi-instrumentalist and mad scientist behind it all. Known for his jaw-dropping live performances where he sings, shreds guitar, and drums all at once, Steel Beans brings that same unfiltered energy to tape, capturing the spirit of a garage jam gone cosmic.After going viral for his mind-blowing one-man-band videos, DeBardi's career took off, leading to opening slots for legends like Tenacious D and Tool - a perfect fit for his mix of humor, musicianship, and pure rock spectacle. Now, he's ready to release his self-titled album, Steel Beans. The album bounces from fuzzed-out psych-rock to greasy funk breakdowns and tongue-in-cheek lyricism, blending humor and virtuosity in equal measure.It's unpredictable, unpolished in all the right ways, and packed with personality - the kind of record that feels alive because it's never trying too hard to be perfect. Steel Beans is proof that music can still be weird, raw, fun, and ridiculously entertaining. Whether you're hearing him for the first time or you've already witnessed the madness live, this record is the perfect doorway into the wild world of Steel Beans.1xLP, Gatefold Jacket, pressed on White vinyl\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBig Dumb\u003c\/li\u003e\n\u003cli\u003eStowaway\u003c\/li\u003e\n\u003cli\u003eThrowin' Stones\u003c\/li\u003e\n\u003cli\u003eSex With Your Own Shadow\u003c\/li\u003e\n\u003cli\u003eToo On (feat. Anderson .Paak)\u003c\/li\u003e\n\u003cli\u003eI'd Rather Be Me\u003c\/li\u003e\n\u003cli\u003eFull Flavored Vibrations\u003c\/li\u003e\n\u003cli\u003eStrange Is My Name\u003c\/li\u003e\n\u003cli\u003eChange The Vibration\u003c\/li\u003e\n\u003cli\u003eGunsmoke ; Mirrors\u003c\/li\u003e\n\u003cli\u003eDrive Me Home\u003c\/li\u003e\n\u003cli\u003eBound To Bloom\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199316306552\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Apeshit Llc.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.3.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Steel Beans","offers":[{"title":"Default Title","offer_id":51449047023912,"sku":"38871770","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/0155\/4472\/files\/4464937-3462892.jpg?v=1771536496"},{"product_id":"pre-order-michael-schenker-live-ready-1980-1984-cd","title":"Michael Schenker - Live \u0026 Ready: 1980 - 1984 [CD]","description":"\u003cp\u003eExperience the raw power and precision of one of rock’s greatest guitarists with this ultimate live anthology spanning the formative years of the Michael Schenker Group.\u003c\/p\u003e\r\n\u003cp\u003eThis 6-disc box set features four complete, career-defining performances:\u003c\/p\u003e\r\n\u003cp\u003eManchester Apollo – 1980\u003cbr\u003eThe explosive debut tour featuring early classics.\u003c\/p\u003e\r\n\u003cp\u003eNippon Budokan, Tokyo – 1981\u003cbr\u003eA legendary show captured at the height of MSG's powers.\u003c\/p\u003e\r\n\u003cp\u003eHammersmith Odeon – 1983\u003cbr\u003eRecorded at London’s Hammersmith Odeon with special guests including Rudolf Schenker and Klaus Meine of Scorpions, available in its entirety for the very first time.\u003c\/p\u003e\r\n\u003cp\u003eSeibu Stadium, Tokyo – 1984\u003cbr\u003eA powerhouse festival set showcasing MSG’s melodic metal mastery, previously only available on laserdisc in Japan.\u003c\/p\u003e\r\n\u003cp\u003eAn additional DVD includes the full visual concerts of Hammersmith Odeon – 1983 and Seibu Stadium, Tokyo – 1984.\u003c\/p\u003e\r\n\u003cp\u003eThe set is accompanied by a booklet featuring exclusive liner notes by acclaimed rock journalist Martin Popoff and a brand-new interview with Michael Schenker himself, offering personal insights into the era, the band, and these legendary performances. The booklet also includes previously unreleased photographs.\u003c\/p\u003e\r\n\u003cp\u003eHoused in a premium two-part rigid box, this release is designed not only for fans of Michael Schenker and MSG, but also for serious collectors of classic rock and heavy metal history. With its wealth of unreleased material and expertly curated content, this box set serves as both a stunning time capsule and an essential addition to any rock archive.\u003c\/p\u003e\r\n\u003cp\u003eThe Michael Schenker Group – Live \u0026amp; Ready: 1980–1983\u003cbr\u003e5CD \/ 1DVD Box Set\u003c\/p\u003e\r\n\u003cp\u003eTwo-piece slipcase box set.\u003cbr\u003eExtensive collection, remastered at AIR Mastering.\u003cbr\u003eBooklet featuring extensive liner notes by Martin Popoff, including an interview with Michael Schenker and rare photographs.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp data-start=\"172\" data-end=\"189\"\u003e\u003cstrong data-start=\"172\" data-end=\"189\"\u003eTRACKLISTING:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp data-start=\"191\" data-end=\"255\"\u003e\u003cstrong data-start=\"191\" data-end=\"231\"\u003eCD 1 – Manchester Apollo, Manchester\u003c\/strong\u003e\u003cbr data-start=\"231\" data-end=\"234\"\u003e\u003cem data-start=\"234\" data-end=\"255\"\u003e30th September 1980\u003c\/em\u003e\u003c\/p\u003e\r\n\u003col data-start=\"257\" data-end=\"536\"\u003e\r\n\u003cli data-start=\"257\" data-end=\"275\"\u003e\r\n\u003cp data-start=\"260\" data-end=\"275\"\u003eArmed \u0026amp; Ready\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"276\" data-end=\"300\"\u003e\r\n\u003cp data-start=\"279\" data-end=\"300\"\u003eCry For The Nations\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"301\" data-end=\"324\"\u003e\r\n\u003cp data-start=\"304\" data-end=\"324\"\u003eVictim Of Illusion\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"325\" data-end=\"343\"\u003e\r\n\u003cp data-start=\"328\" data-end=\"343\"\u003eNatural Thing\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"344\" data-end=\"372\"\u003e\r\n\u003cp data-start=\"347\" data-end=\"372\"\u003eFeels Like A Good Thing\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"373\" data-end=\"392\"\u003e\r\n\u003cp data-start=\"376\" data-end=\"392\"\u003eInto The Arena\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"393\" data-end=\"422\"\u003e\r\n\u003cp data-start=\"396\" data-end=\"422\"\u003eLooking Out From Nowhere\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"423\" data-end=\"439\"\u003e\r\n\u003cp data-start=\"426\" data-end=\"439\"\u003eRock Bottom\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"440\" data-end=\"461\"\u003e\r\n\u003cp data-start=\"443\" data-end=\"461\"\u003eTales Of Mystery\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"462\" data-end=\"481\"\u003e\r\n\u003cp data-start=\"466\" data-end=\"481\"\u003eLost Horizons\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"482\" data-end=\"499\"\u003e\r\n\u003cp data-start=\"486\" data-end=\"499\"\u003eShoot Shoot\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"500\" data-end=\"519\"\u003e\r\n\u003cp data-start=\"504\" data-end=\"519\"\u003eDoctor Doctor\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"520\" data-end=\"536\"\u003e\r\n\u003cp data-start=\"524\" data-end=\"536\"\u003eLights Out\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\u003chr data-start=\"538\" data-end=\"541\"\u003e\r\n\u003cp data-start=\"543\" data-end=\"596\"\u003e\u003cstrong data-start=\"543\" data-end=\"575\"\u003eCD 2 – Nippon Budokan, Tokyo\u003c\/strong\u003e\u003cbr data-start=\"575\" data-end=\"578\"\u003e\u003cem data-start=\"578\" data-end=\"596\"\u003e12th August 1981\u003c\/em\u003e\u003c\/p\u003e\r\n\u003col data-start=\"598\" data-end=\"756\"\u003e\r\n\u003cli data-start=\"598\" data-end=\"615\"\u003e\r\n\u003cp data-start=\"601\" data-end=\"615\"\u003eIntroduction\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"616\" data-end=\"636\"\u003e\r\n\u003cp data-start=\"619\" data-end=\"636\"\u003eArmed And Ready\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"637\" data-end=\"661\"\u003e\r\n\u003cp data-start=\"640\" data-end=\"661\"\u003eCry For The Nations\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"662\" data-end=\"691\"\u003e\r\n\u003cp data-start=\"665\" data-end=\"691\"\u003eAttack Of The Mad Axeman\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"692\" data-end=\"712\"\u003e\r\n\u003cp data-start=\"695\" data-end=\"712\"\u003eBut I Want More\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"713\" data-end=\"736\"\u003e\r\n\u003cp data-start=\"716\" data-end=\"736\"\u003eVictim Of Illusion\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"737\" data-end=\"756\"\u003e\r\n\u003cp data-start=\"740\" data-end=\"756\"\u003eInto The Arena\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\u003chr data-start=\"758\" data-end=\"761\"\u003e\r\n\u003cp data-start=\"763\" data-end=\"816\"\u003e\u003cstrong data-start=\"763\" data-end=\"795\"\u003eCD 3 – Nippon Budokan, Tokyo\u003c\/strong\u003e\u003cbr data-start=\"795\" data-end=\"798\"\u003e\u003cem data-start=\"798\" data-end=\"816\"\u003e12th August 1981\u003c\/em\u003e\u003c\/p\u003e\r\n\u003col data-start=\"818\" data-end=\"1027\"\u003e\r\n\u003cli data-start=\"818\" data-end=\"832\"\u003e\r\n\u003cp data-start=\"821\" data-end=\"832\"\u003eOn And On\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"833\" data-end=\"860\"\u003e\r\n\u003cp data-start=\"836\" data-end=\"860\"\u003eNever Trust A Stranger\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"861\" data-end=\"887\"\u003e\r\n\u003cp data-start=\"864\" data-end=\"887\"\u003eLet Sleeping Dogs Lie\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"888\" data-end=\"909\"\u003e\r\n\u003cp data-start=\"891\" data-end=\"909\"\u003eTales Of Mystery\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"910\" data-end=\"936\"\u003e\r\n\u003cp data-start=\"913\" data-end=\"936\"\u003eCozy Powell Drum Solo\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"937\" data-end=\"962\"\u003e\r\n\u003cp data-start=\"940\" data-end=\"962\"\u003eCourvoisier Concerto\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"963\" data-end=\"981\"\u003e\r\n\u003cp data-start=\"966\" data-end=\"981\"\u003eLost Horizons\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"982\" data-end=\"1000\"\u003e\r\n\u003cp data-start=\"985\" data-end=\"1000\"\u003eDoctor Doctor\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1001\" data-end=\"1027\"\u003e\r\n\u003cp data-start=\"1004\" data-end=\"1027\"\u003eAre You Ready To Rock\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\u003chr data-start=\"1029\" data-end=\"1032\"\u003e\r\n\u003cp data-start=\"1034\" data-end=\"1097\"\u003e\u003cstrong data-start=\"1034\" data-end=\"1070\"\u003eCD 4 – Hammersmith Odeon, London\u003c\/strong\u003e\u003cbr data-start=\"1070\" data-end=\"1073\"\u003e\u003cem data-start=\"1073\" data-end=\"1097\"\u003e22nd–23rd October 1983\u003c\/em\u003e\u003c\/p\u003e\r\n\u003col data-start=\"1099\" data-end=\"1477\"\u003e\r\n\u003cli data-start=\"1099\" data-end=\"1116\"\u003e\r\n\u003cp data-start=\"1102\" data-end=\"1116\"\u003eCaptain Nemo\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1117\" data-end=\"1141\"\u003e\r\n\u003cp data-start=\"1120\" data-end=\"1141\"\u003eRock My Nights Away\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1142\" data-end=\"1160\"\u003e\r\n\u003cp data-start=\"1145\" data-end=\"1160\"\u003eReady To Rock\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1161\" data-end=\"1185\"\u003e\r\n\u003cp data-start=\"1164\" data-end=\"1185\"\u003eCry For The Nations\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1186\" data-end=\"1213\"\u003e\r\n\u003cp data-start=\"1189\" data-end=\"1213\"\u003eRock You To The Ground\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1214\" data-end=\"1243\"\u003e\r\n\u003cp data-start=\"1217\" data-end=\"1243\"\u003eAttack Of The Mad Axeman\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1244\" data-end=\"1263\"\u003e\r\n\u003cp data-start=\"1247\" data-end=\"1263\"\u003eInto The Arena\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1264\" data-end=\"1289\"\u003e\r\n\u003cp data-start=\"1267\" data-end=\"1289\"\u003eCourvoisier Concerto\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1290\" data-end=\"1314\"\u003e\r\n\u003cp data-start=\"1293\" data-end=\"1314\"\u003eRock Will Never Die\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1315\" data-end=\"1332\"\u003e\r\n\u003cp data-start=\"1319\" data-end=\"1332\"\u003eDesert Song\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1333\" data-end=\"1362\"\u003e\r\n\u003cp data-start=\"1337\" data-end=\"1362\"\u003eI'm Gonna Make You Mine\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1363\" data-end=\"1376\"\u003e\r\n\u003cp data-start=\"1367\" data-end=\"1376\"\u003eRed Sky\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1377\" data-end=\"1399\"\u003e\r\n\u003cp data-start=\"1381\" data-end=\"1399\"\u003eLooking For Love\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1400\" data-end=\"1421\"\u003e\r\n\u003cp data-start=\"1404\" data-end=\"1421\"\u003eArmed And Ready\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1422\" data-end=\"1440\"\u003e\r\n\u003cp data-start=\"1426\" data-end=\"1440\"\u003eLittle Devil\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1441\" data-end=\"1461\"\u003e\r\n\u003cp data-start=\"1445\" data-end=\"1461\"\u003eDoctor, Doctor\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1462\" data-end=\"1477\"\u003e\r\n\u003cp data-start=\"1466\" data-end=\"1477\"\u003eThank You\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\u003chr data-start=\"1479\" data-end=\"1482\"\u003e\r\n\u003cp data-start=\"1484\" data-end=\"1536\"\u003e\u003cstrong data-start=\"1484\" data-end=\"1515\"\u003eCD 5 – Seibu Stadium, Tokyo\u003c\/strong\u003e\u003cbr data-start=\"1515\" data-end=\"1518\"\u003e\u003cem data-start=\"1518\" data-end=\"1536\"\u003e12th August 1984\u003c\/em\u003e\u003c\/p\u003e\r\n\u003col data-start=\"1538\" data-end=\"1802\"\u003e\r\n\u003cli data-start=\"1538\" data-end=\"1555\"\u003e\r\n\u003cp data-start=\"1541\" data-end=\"1555\"\u003eCaptain Nemo\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1556\" data-end=\"1580\"\u003e\r\n\u003cp data-start=\"1559\" data-end=\"1580\"\u003eRock My Nights Away\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1581\" data-end=\"1605\"\u003e\r\n\u003cp data-start=\"1584\" data-end=\"1605\"\u003eCry For The Nations\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1606\" data-end=\"1620\"\u003e\r\n\u003cp data-start=\"1609\" data-end=\"1620\"\u003eOn And On\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1621\" data-end=\"1641\"\u003e\r\n\u003cp data-start=\"1624\" data-end=\"1641\"\u003eLipstick Traces\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1642\" data-end=\"1664\"\u003e\r\n\u003cp data-start=\"1645\" data-end=\"1664\"\u003eBijou Pleasurette\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1665\" data-end=\"1684\"\u003e\r\n\u003cp data-start=\"1668\" data-end=\"1684\"\u003eInto The Arena\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1685\" data-end=\"1710\"\u003e\r\n\u003cp data-start=\"1688\" data-end=\"1710\"\u003eCourvoisier Concerto\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1711\" data-end=\"1729\"\u003e\r\n\u003cp data-start=\"1714\" data-end=\"1729\"\u003eLost Horizons\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1730\" data-end=\"1759\"\u003e\r\n\u003cp data-start=\"1734\" data-end=\"1759\"\u003eI'm Gonna Make You Mine\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1760\" data-end=\"1781\"\u003e\r\n\u003cp data-start=\"1764\" data-end=\"1781\"\u003eArmed And Ready\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1782\" data-end=\"1802\"\u003e\r\n\u003cp data-start=\"1786\" data-end=\"1802\"\u003eDoctor, Doctor\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\u003chr data-start=\"1804\" data-end=\"1807\"\u003e\r\n\u003cp data-start=\"1809\" data-end=\"1840\"\u003e\u003cstrong data-start=\"1809\" data-end=\"1840\"\u003eDVD – Full Visual Concerts:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul data-start=\"1842\" data-end=\"1948\"\u003e\r\n\u003cli data-start=\"1842\" data-end=\"1900\"\u003e\r\n\u003cp data-start=\"1844\" data-end=\"1900\"\u003e\u003cstrong data-start=\"1844\" data-end=\"1873\"\u003eHammersmith Odeon, London\u003c\/strong\u003e – 22nd–23rd October 1983\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-start=\"1901\" data-end=\"1948\"\u003e\r\n\u003cp data-start=\"1903\" data-end=\"1948\"\u003e\u003cstrong data-start=\"1903\" data-end=\"1927\"\u003eSeibu Stadium, Tokyo\u003c\/strong\u003e – 12th August 1984\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCD1: Manchester Apollo, Manchester, 30th September 1980\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eArmed ; Ready\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eCry for the Nations\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eVictim of Illusion\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eNatural Thing\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eFeels Like a Good Thing\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eInto the Arena\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eLooking Out from Nowhere\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eRock Bottom\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eTales of Mystery\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eLost Horizons\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eShoot Shoot\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eDoctor Doctor\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eLights Out\u003c\/li\u003e\n\u003cli\u003eCD2: Nippon Budokan, Tokyo, 12th August 1981\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eArmed and Ready\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eCry for the Nations\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eAttack of the Mad Axeman\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eBut I Want More\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eVictim of Illusion\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eInto the Arena\u003c\/li\u003e\n\u003cli\u003eCD3: Nippon Budokan, Tokyo, 12th August 1981\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eon and on\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eNever Trust a Stranger\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eLet Sleeping Dogs Lie\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eTales of Mystery\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eCozy Powell Drum Solo\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eCourvoisier Concerto\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eLost Horizons\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eDoctor Doctor\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eAre You Ready to 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Make You Mine\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eRed Sky\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eLooking for Love\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eArmed and Ready\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eLittle Devil\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eDoctor, Doctor\u003c\/li\u003e\n\u003cli\u003e1\u003c\/li\u003e\n\u003cli\u003eThank You\u003c\/li\u003e\n\u003cli\u003eCD5: Seibu Stadium, Tokyo, 12th August 1984\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eCaptain Nemo\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eRock My Nights Away\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eCry for the Nations\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eon and on\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eLipstick 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4.3.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Michael Schenker","offers":[{"title":"Default Title","offer_id":51449047253288,"sku":"81984129","price":51.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/0155\/4472\/files\/4479798-3502587.jpg?v=1771536501"},{"product_id":"pre-order-gerhard-heinz-gate-ltd-bloody-moon-o-s-t-gate-limited-edition","title":"Gerhard Heinz  (Gate) (Ltd) - Bloody Moon - O.S.T. (Gate) [Limited Edition]","description":"\u003cp\u003eBloody Moon (1981) Original Motion Picture Soundtrack 2LP. Film score to Jess Franco's infamous banned video Nasty, Bloody Moon AKA \"Die Säge Des Todes\", on vinyl for the first time in the USA. 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