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The beauty, confusion, complexity, and intensity of their youth - lived under the shadow and around the scars of conflict - are entangled in the industrial dance-punk hybrid encoded in the record's DNA, aptly entitled Crystalpunk. \"This record is us waving a flag for that generation - the ones who inherited confusion, resilience, and a fractured sense of self.\" They're waving that flag as intensely as possible too. For the uninitiated, Chalk mainlines the reaction between genres, eras, and cultures, commuting this collision into their sound. The Belfast group could comfortably power an underground warehouse party after-dark, incite a mid-day festival mosh-pit, or shake an arena on any given evening. Their power has seamlessly translated to the stage with the group packing venues and delivering alternately sweaty and electrifying performances to a growing rabid fan base. As a group, they've sold out shows across the UK, EU and USA, notched festival performances such as Glastonbury, SXSW, BBK, Trans Musicals and more across 11 countries and were handpicked to tour alongside IDLES and Fontaines D.C..Coming from dissimilar backgrounds and rallying together naturally, Ben and Ross first crossed paths in film school. As the story goes, Ben had noticed a framed poster of Dublin disruptors Gilla Band in one of Ross's Instagram photos and felt a kinship before ever actually speaking to him. \"Nobody else at our school was into experimental noise guitar bands, so that was all I needed to see,\" laughs Ben. Emerging in 2022, Chalk initially made waves with songs like \"Them,\" \"Velodrome,\" and \"Static.\" Ultimately, they come-of-age and tell a story that resonates beyond borders. 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Whether it’s their 2001 landmark recording Jane Doe or their 2021 Bloodmoon: I collaboration with Chelsea Wolfe, they have created some of the most compelling music, lyrics, and visual art of the 21st century. During that time, fewer bands have had a greater impact on the underground imagination. It seems unlikely that anyone who has been making music for this long would create one of their best works for their eleventh album, in their 35th year as a band. And yet: Love is Not Enough might be the apotheosis of Converge’s decades-long journey through the punk, hardcore and metal microcosm. What vocalist\/lyricist Jacob Bannon, guitarist\/producer Kurt Ballou, bassist\/vocalist Nate Newton and drummer Ben Koller have created is a strident artistic statement on the turmoil of living that hones their collective strengths to a razor’s edge. There isn’t an ounce of fat. Every song moves with a power and purpose that eclipses their human origins, that speaks to the anger, pain, and frustration of the modern age. From the opening fusillade of the title track to the closing hurricane of “We Were Never the Same,” Love Is Not Enough is a sonorous balance of vitality and viciousness that reflects the chaos and uncertainty of the times we live in. “There’s always obstacles in the world,” Bannon says. “Personal, professional, economical, whatever. But I feel like we’re in a pressure cooker somewhere on our evolutionary line. It’s a lot just to be a human being in the modern world, trying to function, maintain, grow, have empathy, have compassion. 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