{"title":"Austyn - Shipping Lead","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cimg height=\"338\" width=\"225\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0745\/0155\/4472\/files\/aperture_ortega_RSD_04.18.26-31.jpg?v=1780416565\" style=\"margin-bottom: 16px; float: left;\"\u003eIf you've ordered from our website \u003cspan style=\"font-size: 0.875rem;\"\u003eand it arrived in one piece, there's a good chance Austyn was involved. As the shipping lead at Sold Out, she spends her days packing records, processing orders, and keeping the never-ending flow of mailers, boxes, and inventory moving in the right direction.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003eGrowing up, Austyn's musical world included everything from Jimi Hendrix and Lauryn Hill to Lady Gaga and No Doubt. Over the years her taste evolved from indie music into hardcore punk, goth, techno, and electronic music, giving her one of the more eclectic collections of influences around the shop.\u003c\/p\u003e\n\u003cp\u003eHer all-time favorites include Bully, Scowl, Ceremony, Pixel Grip, Automatic, and Boy Harsher. Lately she's been listening to a lot of Die Spitz while continuing to rotate through hardcore punk, techno, alt-pop, and darker electronic sounds.\u003c\/p\u003e\n\u003cp\u003eAustyn's recommendations tend to come from the corners of the store that are loud, energetic, atmospheric, and a little unexpected. Whether it's hardcore, goth, post-punk, or electronic music, she's always happy to point customers toward something they may not have discovered otherwise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFavorite record in her collection?\u003c\/strong\u003e \u003cem\u003eFantastic Planet\u003c\/em\u003e by Failure.\u003cbr\u003e\u003cstrong\u003eA record she'll always recommend?\u003c\/strong\u003e \u003cem\u003eCoastal Grooves\u003c\/em\u003e by Blood Orange.\u003cbr\u003e\u003cstrong\u003eBest score she's ever found in the wild?\u003c\/strong\u003e \u003cem\u003eRohnert Park\u003c\/em\u003e by Ceremony.\u003cbr\u003e\u003cstrong\u003eDream record to own someday?\u003c\/strong\u003e \u003cem\u003eRid of Me\u003c\/em\u003e by PJ Harvey.\u003cbr\u003e\u003cstrong\u003eWhen did she start working here?\u003c\/strong\u003e November 2025.\u003cbr\u003e\u003cstrong\u003eFavorite thing about working at Sold Out?\u003c\/strong\u003e Her coworkers and getting to play records throughout the day.\u003cbr\u003e\u003cstrong\u003eBand she'll defend forever?\u003c\/strong\u003e Scowl and Bikini Kill.\u003cbr\u003e\u003cstrong\u003eAlbum she secretly loves that people wouldn't expect?\u003c\/strong\u003e \u003cem\u003eThe Sun's Tirade\u003c\/em\u003e by Isaiah Rashad\u003c\/p\u003e\n\u003cp\u003eMost likely to recommend: hardcore punk, techno, goth, or something you've never heard of but will probably end up loving.\u003c\/p\u003e","products":[{"product_id":"die-spitz-something-to-consume-mint-m-rock-lp-ltd-ind","title":"Die Spitz - Something To Consume (Mint (M)) Rock (LP, Ltd, Ind)","description":"\u003cp\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eLP, Ltd, Ind\u003cbr\u003e\r\n\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Near Mint (NM or M-)\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eUS \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e12 Sep 2025\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eRock\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003ePunk, Hard Rock\u003cbr\u003e\r\n\u003cstrong\u003eComments:\u003c\/strong\u003e\u003cbr\u003e\r\nstill factory sealed!\u003cbr\u003e\r\n \u003c\/p\u003e\r\n\r\n\u003cp\u003eA1.  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All I Do \u003cbr\u003eA2.  Days Move Slow \u003cbr\u003eA3.  A Wonderful Life \u003cbr\u003eA4.  Hard To Love \u003cbr\u003eA5.  Change Your Mind \u003cbr\u003eB6.  How Will I Know \u003cbr\u003eB7.  A Love Profound \u003cbr\u003eB8.  Lose You \u003cbr\u003eB9.  Ms. America \u003cbr\u003eB10.  All This Noise \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Bully","offers":[{"title":"Default Title","offer_id":51143096598824,"sku":"3940344871","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/0155\/4472\/files\/R-27245280-1739591916-3618.jpg?v=1764878077"},{"product_id":"ceremony-in-the-spirit-world-now-synthetic-remixes-mint-m-electronic-rock-lp-album-ltd-yel","title":"Ceremony  - In The Spirit World Now (Synthetic Remixes) (Mint (M)) Electronic, Rock (LP, Album, Ltd, Yel)","description":"\u003cp\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eLP, Album, Ltd, Yel\u003cbr\u003e\r\n\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Near Mint (NM or M-)\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eUSA \u0026amp; Canada \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e13 Nov 2020\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eElectronic, Rock\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003ePost-Punk\u003cbr\u003e\r\n\u003cstrong\u003eComments:\u003c\/strong\u003e\u003cbr\u003e\r\nBrand New!! 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Vocalist \u003c\/span\u003e\u003cem\u003eKat Madeira\u003c\/em\u003e\u003cspan\u003e’s unrivaled snarls pierce the minute and half long track with robust lyrics.\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTHE IMPACT\u003c\/li\u003e\n\u003cli\u003eESTRELA\u003c\/li\u003e\n\u003cli\u003eSURVIVAL AIN'T TAUGHT\u003c\/li\u003e\n\u003cli\u003eWISE CHOICE\u003c\/li\u003e\n\u003cli\u003eFATES DOMAIN\u003c\/li\u003e\n\u003cli\u003eRHYTHM ZERO\u003c\/li\u003e\n\u003cli\u003eCHARM\u003c\/li\u003e\n\u003cli\u003eMISTAKEN\u003c\/li\u003e\n\u003cli\u003eSERAPHIM (MARINA'S SONG)\u003c\/li\u003e\n\u003cli\u003eDISFIGURED IDENTITY\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 843563185353\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Flatspot Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jivebomb","offers":[{"title":"Default Title","offer_id":51474109432104,"sku":"4497","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/0155\/4472\/files\/4410180-3332796.jpg?v=1772229474"},{"product_id":"boy-harsher-country-girl-uncut-lp","title":"Boy Harsher - Country Girl Uncut [LP]","description":"\u003cp\u003eIn October of 2017 Boy Harsher released the four-track EP, Country Girl. The EP was released by Ascetic House as a one time vinyl pressing of 600 copies, which sold out in a month. This new deluxe reissue titled Country Girl Uncut, includes four previously unreleased tracks, for a total of eight songs. Country Girl marked a distinct sonic shift with the band, as the EP was the first group of songs written in their new home in rural Massachusetts. The novel isolation of the Northeast gave Jae and Augustus plenty of time to write and explore new sounds, while reminiscing about their time in the south. The move also put the band within driving distance of New York City which was another important factor in their progression. The band attributes partial influence on Country Girl EP to their frequent shows in Manhattan and Brooklyn. Playing parties like Nothing Changes and Lost Enterprises gave them access to a vibrant new music community. 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Venomous, fierce, antagonistic. A sneer not to be crossed. Over the last five years, the Santa Cruz, California, band has firmly planted their flag in the hardcore scene with their vicious sound and ripping live show, sharing stages around the world with Circle Jerks, TouchÃ© AmorÃ©, and Limp Bizkit, and filling slots at prominent festivals like Coachella, Sick New World, and Reading and Leeds. But with their new album, Are We All Angels (Dead Oceans), SCOWL is aiming to funnel all that aggression through a more expansive version of themselves.Much of Are We All Angels grapples with SCOWL's newfound place in the hardcore scene, a community which has both embraced the band and made them something of a lightning rod over the past few years. Standout single \"Not Hell, Not Heaven\" outright rejects the narratives cast onto them by outsiders. \"It's about feeling victimized and being a victim, but not wanting to identify with being a victim,\" explains vocalist Kat Moss. \"It's trying to find grace in the fact that I have my power. I live in my reality. You have to deal with whatever you're dealing with, and it ain't working for me.\" The band breaks from a sense of disassociation to seek deeper connections on \"Fantasy.\" \"It's incredibly challenging to try to balance my love for the scene while also feeling, in some spaces, extremely alienated and hated,\" Moss says. \"'Fantasy' is about feeling like I don't know how to connect with these people anymore, because I have shelled myself away so hard.\" The album ends in a philosophical place on the closing, titular track, \"Are We All Angels,\" asking questions like, \"Is this all there is?\" and ultimately putting it on the listener to decide. \"It's about the personal struggle between good and evil. It doesn't matter how 'good' or 'bad' you are, there are systems that will try to rewrite your narrative no matter what you actually do,\" explains Moss, noting that punctuation on \"Are We All Angels\" has been deliberately omitted in an attempt to leave the statement open-ended.Are We All Angels is the highly anticipated follow-up to SCOWL's debut, 2021's How Flowers Grow, a 16-minute primal scream over punishing riffs. But amidst the pounding chaos, it was the record's sonic outlier, a cleaner interlude called \"Seeds to Sow,\" that, true to it's name, planted the seed for what was to come for the band. \"It kind of laid out this destiny for us, and I feel like now we're fulfilling that,\" says drummer Cole Gilbert. The band continued to expand their sound on 2023's widely acclaimed Psychic Dance Routine EP, incorporating more pop hooks and favoring gentler singing over heavy screaming, paving the way for what would come next.SCOWL's growth got a huge boost from producer Will Yip (Turnstile, Title Fight, Code Orange, Balance and Composure), who broadened the band's scope. \"Will would say, 'Everything you have here is correct, but it's in the wrong place,'\" says Gilbert. Moss adds: \"Will really helped restructure a lot of the material. Some songs he tore apart to make more space for the really good hooks and choruses.\" But even through this more eclectic approach, SCOWL loses none of their edge, and still manages to convey the anger and frustration that lies underneath. They are deeply committed to carrying the ethos of punk and it's sense of community. \"Hardcore and punk have sculpted how we operate, what we want to do as a band, and how we participate,\" says guitarist Malachi Greene. \"At our core, we are a punk and a hardcore band, regardless of how the song shifts and changes.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSpecial\u003c\/li\u003e\n\u003cli\u003eB.A.B.E\u003c\/li\u003e\n\u003cli\u003eFantasy\u003c\/li\u003e\n\u003cli\u003eNot Hell, Not Heaven\u003c\/li\u003e\n\u003cli\u003eTonight (I'm Afraid)\u003c\/li\u003e\n\u003cli\u003eFleshed Out\u003c\/li\u003e\n\u003cli\u003eLet You Down\u003c\/li\u003e\n\u003cli\u003eCellophane\u003c\/li\u003e\n\u003cli\u003eSuffer the Fool (How High Are You?)\u003c\/li\u003e\n\u003cli\u003eHaunted\u003c\/li\u003e\n\u003cli\u003eAre We All Angels\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 617308103809\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.4.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Scowl","offers":[{"title":"Default Title","offer_id":51474717081896,"sku":"318859","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/0155\/4472\/files\/4441787-3415227.jpg?v=1772238050"},{"product_id":"bully-sugaregg-lp","title":"Bully - SUGAREGG [LP]","description":"\u003cp\u003e\u003cspan\u003eSUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener “Add It On” zooms heavenward within seconds, epitomizing band leader Alicia Bognanno’s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of “Where to Start” and “Let You” are the musical equivalents of the sun piercing through a perpetually cloudy sky. A very old saying goes that no one saves us but ourselves. Recognizing and breaking free from the patterns impeding our forward progress can be transformative. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way. The artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. “Being able to finally navigate that opened the door for me to write about it,” she says, pointing to the sweet, swirly “Like Fire” and slower, more contemplative songs such as “Prism” and “Come Down” as having been born of this new headspace. Even small changes like listening to music instead of the news first thing in the morning “made me want to write and bring that pleasure to other people.” An unexpected foray into the film world also helped set the table for SUGAREGG when Bognanno was asked to write songs for the 2019 movie Her Smell, starring Elisabeth Moss as the frontwoman of the fictional rock band Something She. The experience was cathartic, infusing Bognanno with new energy for songwriting, and she dove into making the new album. Having engineered both previous Bully albums herself, Bognanno freed herself to focus on the songs by handing production and engineering duties to Grammy-winning producer John Congleton (St. Vincent, Sleater-Kinney, The War on Drugs, Modest Mouse), and who worked with her on SUGAREGG at Pachyderm Studios in Cannon Falls in Bognanno’s home state of Minnesota. (Nirvana’s In Utero, PJ Harvey’s Rid of Me and Superchunk’s Foolish were recorded at Pachyderm.) With contributions from longtime touring drummer Wesley Mitchell and bassist Zach Dawes (Sharon Van Etten and Lana Del Rey), and two additional songs recorded at Palace Studios in Toronto with Graham Walsh (Alvvays, METZ, !!!), SUGAREGG was finally complete. 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